Focus on Disney World – Framing Your Subject

A Framed View of the Carrousel
Copyright © 2007 Barrie Brewer, Nikon D50/18-200VR, 1/5s shutter, f4.8

Using objects in the foreground of your shot to frame your subject is a good way to focus attention where you want it and add depth to your photo. While in the Magic Kingdom, I used the arched doorway of Cinderella’s castle to frame the passageway and the carrousel behind the castle.

A frame can help give context to your photo. A desert view framed by a rock formation really gives you a sense of place. A frame leads the viewer’s eye into the photo and may even encourage the viewer to look at it longer. You are limited only by your imagination when choosing a framing element. Here are some framing ideas to get you started.

“¢ Architectural elements such as archways, doorways, windows, a hole in a wall, bridges and tunnels make great framing elements.

“¢ Natural elements like rock formations, a gap in dense foliage or between trees, the overhanging branches of a tree, and even people can be used to frame your subject. For example, you can shoot over people’s shoulders or between their heads. There are plenty of opportunities for this at Disney World! You can even use shadows to frame your subject.

“¢ The absence of objects, for instance a bare wall, can frame your subject by isolating it. This is what photographers do when they use a backdrop. Another way to isolate your subject is to use a very shallow depth of field to blur the background, creating a frame that will surround your subject.

“¢ Patterns are often used as framing devices. Imagine the shelves in the World of Disney filled with stuffed Pooh bears. Now imagine one pink Piglet in the center of all that orange. That’s a frame.

Your frame can go completely around your subject or it might just be on one or two edges of your shot. It can be close to the edge of your photo or protrude pretty far into it, even taking up most of the space in it. The key is to keep in mind is that you are trying to focus the viewer’s attention on your subject. You don’t want your frame to overshadow the subject but in the same instance, you don’t want a wimpy frame that just ends up being a distraction. A good practice is to ask yourself if the frame will add to the photo or take away from it before you click your shutter. Experiment and see what you like.

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