The Jungle Book Archives

April 13, 2016

Review: "The Jungle Book"



"The Jungle Book," a new live-action retelling of the classic 1967 animated feature from Walt Disney Studios and Director Jon Favreau, reinvents the Rudyard Kipling fable for our time in dazzlingly photorealistic CG.

While keeping some of the songs and whimsy of the Disney feature, Favreau's "Jungle Book" leans more towards the darker tones of the original Kipling tales. In it, Mowgli, a boy orphaned in the jungle, is raised by wolves until the vicious tiger Shere Khan declares open season on him and he is forced to leave the only home he knows.


As he makes his way towards the Man Village, Mowgli is alternately advised by the orderly, regimented Bagheera and the free-spirited Baloo...


...While eluding the grasps of both the predatory Kaa...


...And the ambitious King Louie.


To get the obvious out of the way, the CG on this film is amazing. Filmed in Downtown Los Angeles, it is astonishing how convincing it is--the environment, the animals, the wind and the water all are almost indistinguishable from real, and are absolutely convincing as characters and backdrop for the story.


The voice cast is used to good effect and is as skillful as their combined star power would lead you to expect. Bill Murray shows an impressive sensitivity behind the jovial Baloo and Lupita Nyong’o's Raksha has a goodbye moment with Mowgli with more emotion behind it than many a similar scene between human actors.


The only voice that rings a little light for the role is Scarlett Johansson, whose Kaa never really sounds quite as menacing as she looks. In contrast, the one voice I really wasn't sure about from the trailers was Christopher Walken--however he turned out to maybe be one of the few actors possessing the ideal skill set for the alternately creepy menace/song-and-dance man/Gigantopithecus, King Louie.


Speaking of music, one could hardly think about the 1967 "Jungle Book" without its deservedly popular score. While Murray does hum a few bars of "Bare Necessities," the big number is reserved for Walken and "I Wanna Be Like You," on which Richard Sherman consulted and wrote new lyrics.

Neel Sethi has the lion's share of the business on this one as the only physical character in the film. Fortunately he's naturally engaging, giving Mowgli a cleverness and initiative the animated one lacked, while easily avoiding the child actor pitfalls of annoying and cloying.


Ultimately, I think the film works well because it deviates strongly from both the original book and animated predecessor. Each version on some level reflects the time it came from: Kipling's story, in which Mowgli is abandoned/betrayed by both the wolves and mankind and winds up living solitary and apart is often thought to be commentary on British Imperialism in India. The 1967 feature, coming at a time of social revolution and the Vietnam War shows Mowgli retreating from the jungle and all its dangers, to the safety and familiarity of Man's Village. Today's Mowgli faces a Shere Khan as fueled by fear and hatred as revenge: Whose most chilling scene is that where he amiably teaches the wolf cubs that caring for others who are not your kind, is only to impoverish and weaken you and yours.


While the filmmakers tend to stress the themes of family in "The Jungle Book," what I found most prominent in the film was Mowgli's journey to discover what it means, to be a Man. Is it simply DNA and opposable thumbs? The ability to use tools and understand Physics? A facility for slaughter and destruction? Or a capacity for acts of compassion for others who look, speak, and act differently, at great personal cost? How interesting to live in a time where film animals often display the best of humanity, while TV politicians continually demonstrate the worst of beasts.


"The Jungle Book" is presented by Walt Disney Studios Motion Pictures. Rated PG, it stars Bill Murray, Ben Kingsley, Idris Elba, Lupita Nyong’o, Scarlett Johansson, Giancarlo Esposito, Neel Sethi and Christopher Walken.

Directed by Jon Favreau and produced by Jon Favreau and Brigham Taylor. Screenplay by Justin Marks.

The film enters general release on April 15, 2015.

April 6, 2016

Press Junket: "The Jungle Book"



Coming out on April 15th is Walt Disney Studio's latest film, "The Jungle Book." Directed by Jon Favreau, it tells the familiar story of Mowgli, an orphan raised in the jungle, who must seek out Man's Village for protection against the murderous tiger, Shere Khan.

[All non-attributed photos and video courtesy of Disney.]

At a press junket, Director Jon Favreau, Producer Brigham Taylor, and Actors Neel ("Mowgli”) Sethi, Sir Ben (voice of “Bagheera”) Kingsley, Lupita (voice of “Raksha”) Nyong'o, and Giancarlo (voice of “Akela”) Esposito gathered to discuss the process of conceptualizing and realizing "The Jungle Book."



Jon Favreau: [On why remake "The Jungle Book" now.] "...We (Favreau and Chair of Walt Disney Studios Alan Horn) had common ground of both having great affection for this property. And the question became 'if we love it so much in those other forms, why do it now?' And as he pointed out to saw 'Life of Pi,' you realized that the technology may have come to a point where you can actually tell the story in a different way, and maybe bring something that just existed in his imagination while he was growing up, onto the big screen...100 years ago was the book, 50 years ago was the animated film, and now 50 years later, it's time to update the film for our generation."


Neel Sethi: [On becoming part of the cast.] "It felt like it was too easy, like that shouldn't have happened so easily. I just auditioned once and Jon really liked me. The first time I met Sir Ben Kingsley and Lupita...I voice recorded with Sir Ben and I met you (Lupita) at D23...and that was a lot of fun. I got to see my face!"



Giancarlo Esposito: [On how he got involved with the film.] "...It's synchronicitous, because for me, this story came from my Mother...I come from divorced parents and I have a brother, so my Mother would read this Law of the Jungle to us because it was us three--we had to survive! It was the three of us, and so it really meant something very deep inside me. It's like I tell my four girls now, 'never leave a man behind! If you go to the bathroom or anywhere, never leave anyone behind!' So it plays through."



Sir Ben Kingsley: [On getting into character.] "My secret to my performance I discovered later, which is odd, but I had an intuitive feeling/grasp of something in him...and I realized later, that I actually am playing Kipling, that Bagheera is...the voice of Rudyard Kipling in the story. So...although I didn't recognize it, sometimes an actor's intuition is buried, and you don't realize what you're mining as a source of energy until, perhaps, afterwards. I'm privileged to be the voice of Kipling, a man I greatly admire and love and when I was in...the Cubs, actually, which is before the Boy Scouts, our troop leader was called 'Akela.'"



Lupita Nyong'o: [On getting involved with the project.] "This is my first voice-over role, and I was attracted to it because Raksha is like the Eternal Mother. She chooses to take care of this creature who is not one of her own, but as though he was...I did a session...really early on, and then a few months later Jon called me in again, but this time he had Neel's performance captured and that really grounded the Mother-Son relationship for me. To see the vulnerability of this boy and the love he had for the wolf--it only made my love for him grow even more. And it's such a beautiful image to see these two very different creatures have this very real bond."



Brigham Taylor: [On producing such a unique film.] "The biggest job I had was to find the right filmmaker...we knew when Alan (Horn) talked about making this title, what we could do with this title, and we all imagined what it could be, we started to figure out what kind of skill sets we needed to pull that off. We needed someone who had the warmth and humanity to inject it with the charm and with the thematic quality you know you need. And you also had to have someone who knew how to master this incredibly complex thing, because we knew there wasn't going to be a live animal on the set. There couldn't be. In fact, to portray it the way Kipling had imagined it, had envisioned it, perhaps even for the first time, because he was envisioning a live action world with a child living amongst these animals...we needed someone who could do all that, and when you looked at the list, it whittled down to one guy."

Favreau: "...And he wasn't available..."

Taylor: "...And then we called Jon."

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About The Jungle Book

This page contains an archive of all entries posted to Salute to All Things Disney but Mostly Disneyland in the The Jungle Book category. They are listed from oldest to newest.

The Good Dinosaur is the previous category.

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