Inside Out Archives

June 19, 2015

Review: "Inside Out"



"That's Long-Term Memory! You could get lost in there!"
"Think positive!"
"Ok, I'm positive you will get lost in there."
--Sadness and Joy

"Inside Out," The latest offspring from the mind of Pete Docter, looks inside the head of an eleven-year-old girl and observes the nature of the emotions that drive her, as well as their changing relationships to her and to each other.


The film's setting, a young girl named Riley, is an essentially happy-go-lucky child, living a relatively bucolic life in Minnesota, when her world is abruptly upended by a move to San Francisco. Working frantically to try to keep her charge happy, Joy, along with the core memories that support different personality facets, manages to get flung far away from headquarters into the vast reaches of Riley's mind. Lost along with her is Sadness, a generally disregarded emotion, who has begun to be subject to strange and unnerving impulses that threaten to undo all of Joy's efforts.


In their absence, Riley is forced to navigate a new school, a new house, friends that seem to be moving on without her, and her increasingly tense parents with only Fear, Anger, and Disgust at the helm. Without the steadfast positivity of Joy, the emotional release of Sadness, or the support of her Islands of Personality, the remaining emotions may lead her into a tragic decision that could result in her feeling...nothing at all.


As a movie, "Inside Out" is beautiful. The characters are deceptively simple in design and concept, and yet are elevated through Pixar's usual technical excellence. The emotions' surfaces, although initially looking a little like muppet-y felt, are actually covered with particles of energy that constantly radiate off of them. Joy, as part of her exuberant nature, radiates light and is sometimes the only light source in a dark environment.


As far as the voice acting, it is exceptionally good--no doubt due to some inspired casting. Amy Poehler does a great job with Joy, whose relentless enthusiasm might have been more irritating than endearing in lesser hands. Lewis Black generally steals the show when Anger is around however, getting the lion's share of the funny lines and reactions.


As a story, "Inside Out" is a fascinating piece for a number of reasons: In only 102 minutes, Docter manages to create an entire mostly-cohesive reality complete with its own complicated rules and geography. From the architecturally distinct Islands of Personality, to the glitzy sound stages of Dream Productions, to the horror show that is the Subconscious, Joy and Sadness travel through a variety of areas that are all instantly engaging and recognizable. Pixar also does a great job of representing San Francisco as filtered through Riley's different mindsets--glamorous and post-card pretty when she first arrives, and then grungy, cramped, and outré once she's forced to settle in.

[Side Note: Having once moved to San Francisco myself, I could instantly recognize and completely empathize with the truth of Riley's perceptions.]


It's interesting, storywise, that it manages to be one of the darkest of the Pixar films without actually having a physical antagonist. All the struggle and conflict that occurs, happens because of time and nature...and the clear outcome of that is as inexorable as those two forces can make it. While I don't think it's spoiling anything to say that the film ends with Riley having every prospect of living a happy, successful life, there is a bittersweet melancholy to it that harkens back to "Toy Story 3," in which the caretakers of childhood have to adapt to the beginning of the end of that era, and accept that things will no longer be quite the way they were. It's a hard lesson for anyone in that position to learn, and how affecting it will be for you, probably depends on, as the Phrenologists say, your "Organ of Adhesiveness."


"Inside Out" is a gentle film, one that looks at childhood as a wonderful vibrant time of primary colors and primary emotions...Which eventually and inevitably evolves into the more complicated yet equally satisfying state of adulthood. Docter said in one interview*, that "(the) change from child to adult is sad and difficult and beautiful and necessary..." In many ways, so is "Inside Out."


"A life is like a garden. Perfect moments can be had, but not preserved, except in memory."
--Leonard Nimoy


"Inside Out" Rated PG, it stars Amy Poehler, Bill Hader, Lewis Black, Mindy Kaling, Phyllis Smith, Diane Lane, Kyle MacLachlan, and Kaitlyn Dias.

Directed by Pete Docter, with a screenplay by Pete Docter, Meg LeFauve, and Josh Cooley. Produced by Jonas Rivera.

The film enters general release with the animated short "Lava," on June 19, 2015, and is distributed by Walt Disney Studios Motion Pictures.




June 15, 2015

"Inside out" Press Conference


"Do you ever look at someone and wonder 'what is going on inside their head?'"


Blockbuster factory Disney-Pixar's fifteenth film "Inside Out" examines the turbulent mechanisms and dynamics of the five primary emotions driving an eleven year-old girl's mind.

At a recent press junket, Director Pete Docter, Producer Jonas Rivera, and cast members Amy Poehler (“Joy,”) Bill Hader (“Fear,”) Mindy Kaling (“Disgust,”) Phyllis Smith (“Sadness,”) and Lewis Black (“Anger”) gathered for some equally unruly panels discussing everything from emotions, to Pixar, to Islands of Personality.

[Photos provided by Disney/Pixar]



Some notes from the panels:

Pete Docter

--Pete Docter on the influence of "Cranium Command:" "I actually animated on that when I was at Disney in '89, and at the beginning, there's a preshow with all the heads. So I did a lot of the Xerox, and my head was in it, so that was kind of cool. But I think it actually showcases kind of the difference between the approach."


"In this film, we really made it − well, let me talk about that one. It was like they were talking to the stomach and the heart and the liver and different things. In this one, we said, let's just differentiate from the body and make it the mind. And so that allowed us a whole different playground."

Jonas Rivera

--Jonas Rivera on the Pixar synchronicity: "I'll tell a quick story about Michael Giacchino because he scored both films. We got into the car. This is the first scoring day on 'Up' back in 2009...Michael had done some of the films at Pixar, but we had never really worked with him. And we get in the car at Warner Bros. after we're done scoring that first day. We were gonna do what you do. You go to Disneyland after you're done scoring your movie...And so we're driving down the freeway. We get in Michael's car. And he turns on his car, and he had had some CDs...Blasting out of the stereo was the theme of the Muppet Show, right? And I'm in the back, and Pete says, 'Oh, wow, I was listening to that same disc on the way to the airport.' And I thought, oh, my God. What two cars on the planet Earth had those two songs in, right?"


*Caution: While the panel was hilarious in parts, they also used mature language and referenced mature topics.*

Phyllis Smith

--Phyllis Smith: on life with the characters beyond the film: "I'm very happy to be Sad.'"

Mindy Kaling

---Mindy Kaling on relating to her character: "...The character Disgust has a lot of qualities of a very impatient, judgmental adolescent girl and because I seem to be recurring in playing that role over and over again in my career – she just says the things I say on a really bad day – the thing I really wanna say but then don’t say it. Basically, in my mind the parenthetical role or her lines is 'I can’t, I can’t with this;' it’s just like what she’s always thinking."

Bill Hader

---Bill Hader on how he would convince a child to see "Inside Out:" "...What’s so great about this movie is that they chose to make a film about a time in your life that we all have to go through – when you go from being young and then you start to go – when you’re an adolescent, things start to change and things start to get a little hard for you and a lot of normal movies don’t talk about that. I wish I had that growing up because I would go through that and you look for answers and you think you’re the only one going through this thing and they did in this film in such a beautiful, fantastical way and that’s why you have to see it. It’s a movie I wish existed – my life would have been a little easier I think if this movie existed when I was a kid."

Amy Poehler

--Amy Poehler on the emotionally sophisticated themes of "Inside Out:" "Pixar doesn’t patronize their young audience and they don’t underestimate the intelligence of their audience...So they keep raising the bar and also they assume that you and your big brain is gonna show up and your big heart. They assume you’re gonna take all those things with you when you go see their movies; and you’re so rewarded when you do."

Lewis Black

--Lewis Black on his own Islands of Personality: "Barbecue Island...Pork in a variety of fashions served in all sorts of delightful ways lathered with sauce. That’s a big island and the other is Tahiti...That’s where I go. When you look at me and you’re like 'Where’s Lewis?' He’s in Tahiti."

After the panels, Director Jim Murphy and Producer Andrea Warren gave a presentation on the adorable short "Lava," which is playing with "Inside Out."


Murphy briefly recounted his long-standing affection for Hawaiian music and culture, and then displayed some of the concept art that was produced during the project's long development phase.


Additionally, he sang a rendition of the equally adorable song "Lava" that he wrote himself, which involved him traveling to Hawaii, buying a ukelele, and then learning to play it.

"Inside Out" and "Lava," rated PG, will be released in theaters June 19, 2015.

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