From sunny southern California Laura Gilbreath, Jeanine Yamanaka and photographer Jason Dz bring a west coast perspective as they blog about trips to Disneyland, D23 events, Disney cruises, runDisney events and occasional pilgrimages to Walt Disney World.
So now that Halloween is over, the Winter Holidays have taken over the Disneyland Resort with a vengeance.
Some season offerings have continued on from the last holiday...
Haunted Mansion Holiday
...Some have returned from last season...
"it's a small world" Holiday
A Christmas Fantasy parade
...and some are brand new for this year.
Jingle Cruise is a new seasonal overlay for the Jungle Cruise attraction, in which the skippers bring a little holiday cheer to their tropical post. Consisting of new decorations in the queue and and some topical additions to the spiel, it's a nice change-up that refreshes the ride without completely altering its nature.
Over in Fantasyland, the Tangled meet and greet has been changed over to Frozen, with Princess Anna and Queen Elsa holding court in a cottage decorated with an animatronic Olaf the Snowman perched on the roof.
Most of the brand new celebratory additions are over in Disney California Adventure, where Disney ¡Viva Navidad! is taking place for the first time at the Paradise Garden area of Paradise Pier. Celebrating the spirit of the Latino culture, it features meet and greets with the Three Caballeros; crafts and face painting; traditional music and menu items; and the high energy "Disney ¡Viva Navidad! Street Party," which takes place several times a day.
To best show the wide variety of holiday happenings around the resort, here's some video provided by Disney highlighting some of what's available:
With all the new things to see and do at the Disneyland Resort this season, it will surely be a cinch to turn any Scrooge to the holiday spirit! Be sure to catch all the festivities while they're here!
On November 19, 2013, Walt Disney Animation Studio's "Frozen" had its world premiere at the El Capitan Theatre in Hollywood. A snowy-white carpet stood in for the typical red, as celebrity attendants were treated to hot chocolate from Ghirardelli and an actual mountain of snow with ice carvings.
Present for the opening of the film were cast members Kristen Bell, Santino Fontana, Josh Gad, Jonathan Groff, Edie McClurg, Spencer Ganus, Tyree Brown, and Eva Bella, as well as Co-directors Chris Buck and Jennifer Lee, Producer Peter Del Vecho, Executive Producer John Lasseter. Other luminaries attending included Bailee Madison, Dave Foley, and Kevin Sorbo.
"Frozen" will be opening in general theaters on November 27, 2013, but will have a special early engagement at the El Capitan Theatre from November 22, 2013, to January 5, 2014.
The big event of the Disneyland Resort's holiday season is the all-new holiday version of World of Color, "Winter Dreams."
Hosted by Olaf, the Snowman from the upcoming film "Frozen," it's an extravaganza of light, and music and water. Starting off with a virtual choir made up of hundreds of guests who recorded themselves singing "Glow" with their webcams, it includes scenes from "Bambi," "Secret of the Wings," and a production of "Nutcracker," starring the Toy Story gang.
The production also spotlights two numbers from "Frozen," including Elsa's song "Let it Go," and Olaf's song "In Summer."
Not only programmed with new content, the technical side of the show has been updated as well, with ultra high-definition projectors expected to be four times sharper than the original World of Color projectors, and the addition of over 700 high-power LED lights lining California Screamin'.
Here's a video of just some of the highlights featured in the new show:
At the premiere, Josh Gad, the voice of Olaf, was there to introduce the new show and answer a few questions afterwards.
"If you betray him, I'll kill you."
"It seems there'll be a line."
"Thor: The Dark World," the sequel to "Thor," is a return to our favorite Asgardians as they once again face down a threat to all things everywhere. This time around, the megalomanics are the thought-to-be-extinct Dark Elves of Svartalfheim, led by the appropriately evil Malekith. They seek the Aether, which is some sort of diffuse power that will enable them to turn light into darkness across the Nine Realms at the time of Convergence. See, the Nine Realms are the nine worlds supported by Yggdrasil, a mighty Ash Tree, and...
At this point, I'm reminded of the time I tried to explain M. Night Shyamalan's "Lady in the Water" to someone, and by the time I got to the invincible monkeys, they didn't want to hear it anymore. While you could spend a lot of time examining the complicated Norse mythology or the even more complicated technobabble Astrophysicist Jane Foster constantly spouts, it all boils down to a pretty clearly defined battle of good and evil woven around the alternate storyline of Thor's maturation and growth as a person. Director Alan Taylor has explained his concept of "Dark World" does not merely refer to the desolate world of Svartalfheim, but to the state of adulthood Thor must enter, dealing with difficult choices and losses along the way.
The key joy of this movie, as with the last "Thor," is Tom Hiddleston's Loki. Always riding an edge of unpredictability, Hiddleston keeps us constantly guessing as to how much of Loki is a tortured, self-loathing soul unable to come to grips with his adoptive past, and how much is just evil SOB. His interactions with the stolid, almost stodgy Thor are particularly good, and mirror their individual fighting styles--one quick and subtle as a poniard, the other blunt and direct as a hammer. A brief cameo by Chris Evans comes as a fun surprise as well.
Where the film bogs for me, is anytime we cut back to Jane Foster. I wasn't a fan of this character in the first movie, and she hasn't grown on me in this one either. Whether she's obsessing with her research to the extent of being a jerk to the people around her or spending the last two years sobbing in her pajamas over a guy she met for...what, two days in the last movie?--Foster seems to hit most of the unpleasant female characteristics of the typical Lois-Lane-analogue. Natalie Portman is a fine actress, but she doesn't seem as though she has much more to go on here, than she did as Padmé, back on Tatooine.
On the whole, however, the film is a fun romp with enough terrain-shattering battles to suit anyone likely to be interested in superhero movies. If it sometimes goes overboard with the exposition and the more-mundane Earthling interactions, it more than makes up for it with the grandeur of Asgard and Loki's mocking banter.
At the end of the day, reviews hardly matter anymore for the Marvel films--as they become progressively more intertwined it will become a matter of course that anyone wanting to keep up with one branch of the franchise will likely feel the need to see all the others in order to grasp the whole picture. If you, along with the bulk of Humanity, liked "Avengers," you're probably going to see "Thor: The Dark World," and like it, too.
"Thor: The Dark World" will be in general theatrical release November 8, 2013.
On November 1st, Disneyland bestowed its highest honor on Disney Legend/Imagineer Tony Baxter--a window on Main St., USA.
Baxter has enjoyed a long and illustrious career with Walt Disney Imagineering since the age of 17, and maintains active in mentoring the current crop of Imagineers despite stepping down his involvement with the Disney company earlier this year (Thanks for the Memories, Tony Baxter!)
The dedication took place on Main St., in front of the Magic Shop, prior to park opening. Disneyland Resort President Michael Colglazier, Chairman of Walt Disney Parks and Resorts Tom Staggs, and Chief Creative Executive of Walt Disney Imagineering Bruce Vaughn took turns celebrating the many contributions Baxter has made to the company in general and Disneyland in specific.
Finally the window was unveiled with the help of Mickey Mouse and a gust of confetti.
After the unveiling, Baxter said a few words about his gratitude towards all the people who mentored him in the past, the satisfaction he's taken in mentoring others in turn, and his appreciation of the honor the window represents.
As is customary, Baxter was also given a replica of the window to keep.
The large audience of well-wishers included not only regular park guests, but a cavalcade of fellow Imagineers and Disney Legends. Some of the notables in the photos below include: Tony Anselmo, Jeff Kurtii, Marty Sklar, Jack Lindquist, Leonard Maltin, Howard Green, Stacia Martin, Bob Gurr, Eddie Sotto, and Stacia Martin.
Afterwords, Baxter took some time for questions, and had this to say about the sort of projects he's currently developing:
While the ceremony was certainly respectful and the honors it came with well-deserved, the one striking thing about it was its somewhat matter-of-fact nature. The tributes were gracious, but compared to the rowdy pirates present at Alice Davis' window dedication or the Carousel of Progress couple at the Sherman Brother's, seemed similar to what you might hear at a corporate gathering, rather than the Main Street of the Happiest Place on Earth. I'm not sure whether this might have been Baxter's expressed preference, but one was left thinking it might have been a little lacking in showmanship--something certainly never said about the rest of Tony Baxter's career.
A Look Ahead: "Get A Horse," and "Frozen" Part II.
Surely by now, you must have heard of "Frozen," the upcoming film from Walt Disney Animation Studios (WDAS.) In case you haven't, here's one of their latest trailers:
To better appreciate the work that went into this film, WDAS invited us to hear from some of the artisans that collaborated to produce it.
In the first panel, "The Artistry of Arendelle," Assistant Art Director Lisa Keene, Art Director Michael Giaimo, and Visual Development Artist Brittney Lee showed us some of the research the art department conducted to construct the fictional kingdom of Arendelle.
With the blessings of John Lasseter, the art direction team went on a research trip to Norway, from which they took away three major design components: Fjords...
And the idea of Rosemaling, the folk art decorations that adorn both the architecture and the characters in the film.
All three combine to give an appearance to the castle complex of Arendelle unlike any of the other Disney films, with the "rustically elegant" castle nestled beside a lake, surrounded by the massive vertical faces of the fjords.
On the subject of snow and ice, they described the conceptual difficulty of lighting and coloring something that, on the surface, is completely monotone. As they continued to examine the subject, however, they found a wide variety in the quality of light that filters through icicles or reflects off crystals, and additionally added in coloration through Elsa's magic.
To research this, they visited ice hotels in Quebec and studied the ice structures lit from within.
Ultimately, the jewel-like palette of the film reflects both the physically realistic quality of light found in nature, and the more magical elements introduced by Elsa and her emotions.
They finished by talking about how each character incorporates rosemaling distinctive to their personas into their costuming--Anna being carefree and light, has floral motifs, while Elsa's dress is initially reserved, and then subsequently snowflake-based after her power is set free.
Elsa's snowflake theme is shown even in the ice castle she creates for herself, a six-sided structure that grows by mimicking the growth patterns of crystals.
Next up was "Meet the Directors and Producer of “Frozen," in which Producer Peter Del Vecho and Co-Directors Jennifer Lee and Chris Buck spoke on a number of different topics touching the development of the story and the process of putting the various pieces together to make a movie.
Some of the items discussed:
--When the story was initially conceived, the girls were not sisters. This relationship was added later, to give them an additional emotional bond.
--The ending (which we were not shown,) is original and distinctive enough that it never changed from inception. Their main concern through script development was to ensure that the story earned the ending.
--Robert Lopez (The Book of Morman, Avenue Q) became involved as songwriter from a past project he had done with Del Vecho.
--Challenges included being asked to move up the finishing date, which required them to start production while they were still developing the story.
--While Elsa is seen as the antagonist in the trailers, she and Anna are created to both have issues and arcs that need to be resolved. The true villains of the piece are those that exploit fear for their own personal gain.
In "Acting Through Animation," Head of Animation Lino DiSalvo and Animation Supervisors Wayne Unten and Becky Bresee recounted all the different measures they took to breathe life into the cast of "Frozen."
To this purpose, they brought in actors and acting coaches to show them techniques for building an authentic internal life for each of the characters. Even details such as how Idina Menzel's muscles move when taking breaths during a song were carefully incorporated.
They also went over how they construct a scene, often recording themselves acting out the performance and then taking notes on key, strong poses on which to base the animation.
They had brought in a reindeer to take notes on its behavior, however they were disappointed to find that reindeer are only slightly less smart than cows, and that their behavior lacked animation in general. They eventually used a hybrid of dogs as a model for Sven.
(Subsequent to this event, a minor firestorm broke out around the internet over a comment that DiSalvo made, to the effect that women were difficult to animate, because you have to show them emoting, but also keep them pretty and distinguishable from each other. Many used this as an example of what they perceive to be Disney's reinforcement of a monotonous and unrealistic standard of attractiveness. While such a debate is clearly beyond the scope of this article, as someone completely biased pro-Disney, I can only observe that it seems like a lot to hang on one off-handed comment, particularly directed towards two characters who are sisters and who could reasonably be expected to look somewhat alike.)
In the "Rigging Lab," Effects Supervisor Marlon West, Principal Software Engineer Andy Selle, Animation Technology Manager Evan Goldberg and Effects Supervisor Dale Mayeda demonstrated the Character of Snow, and some of the devices used to pan around a previously-mapped virtual world.
In an effort to make the snow in the film believable, the team worked with a CalTech Professor to recreate the branching and plating growth of crystals in order to generate snowflakes and Elsa's castle.
Later, they demonstrated the camera rig used to naturally shoot different angles and viewpoints on a virtual landscape with the same physical movements used for a real one.
While we were not shown the entire film, it's clear that "Frozen" has the same technical excellence and gorgeous artistry one could reasonably expect from a studio with such a pedigree. The story, far from the "wacky hijinks" air of the earlier trailers or the chauvinistic bent anticipated by some, is one of surprising gravity--the tale of two sisters who start off at an impasse between freedom and responsibility, and who ultimately must make an emotional and literal journey to reconnect in the middle. Like "Sense and Sensibility," except with magic and a singing snowman.
The movie is currently being promoted as the biggest film event to come out of WDAS since "Lion King;" only time will tell whether "Frozen" can live up to such illustrious company, but from what I've seen, it has the potential to be a very good movie, indeed.
Also? I am totally Team Elsa.
"Frozen" will open in theaters in 3D on November 27, 2013. For more information, you can see their website at Disney.com/Frozen.
Disclaimer: As invited media, AllEars was granted access to the Walt Disney Animation Studios and Production Team.
Recently, Walt Disney Animation Studios (WDAS) hosted a sneak peek at their upcoming productions "Get A Horse," and "Frozen," over at their Burbank offices.
"Get A Horse," the latest short to come out of WDAS and the first to be directed by a woman, combines 1928 artistry with 2013 technology to produce a rollicking interlude starring Mickey Mouse, Minnie Mouse, and their old nemesis Peg-Leg Pete.
Director Lauren MacMullan and her co-heads of animation Disney Legend Eric Goldberg (2D) and CG artist Adam Green (3D) collaborated to create footage incredibly authentic to the first Mickey shorts, even down to combing all the originals for voice clips from role originators Walt Disney, Marcellite Garner, and Billy Bletcher.
Although a huge amount of effort went into making the animation identical to the loose, rubber-limbed animation of the 1920's, every line of the short is new and created specifically for this short.
MacMullan and Producer Dorothy McKim presented the short, along with a short talk on the various challenges they had giving it an authentic period feel. Animated as a theatrical short shown on a cinema stage, the action begins with black-and-white footage of our characters enjoying a musical hayride, until Peg-Leg Pete comes upon them and tries to intrude on their fun. Numerous fast-paced episodes of conflict lead up to a grand chase sequence in which the characters constantly pop in and out of the flat black-and-white screen to emerge colored and in 3-D across the screen's stage.
Care was taken to make sure the 3-D versions were consistent with the time--rather than have real world textures, the characters have a "fondant" appearance, with the colors taken from old company Christmas Cards (the only color representations from then.) The 2-D footage was also aged appropriately, as if subject to the same errors and skips inherent in early hand-drawn animation.
I thought this short was an amazing example of what the combination of CG and hand-drawn animation can produce and certainly puts the lie to the "one or the other" mentality. The care and detailing involved in making it is evident in every frame and will hopefully spark a revival of interest in revisiting this style of animation, which is sometimes unfairly disregarded by people who equate "old" with "unsophisticated."
The short was premiered for the first time in the US at the D23 Expo and will be shown in front of "Frozen" on November 27, 2013.
Disclaimer: As invited media, AllEars was granted access to the Walt Disney Animation Studios and Production Team.
One of this year's Limited Time Magic offerings has been on the calendar for a long time - the September Friday the 13th Unleash the Villains event. Though until the week before there weren't any details on what was going to be included.
Out here on the west coast the event was held at Disneyland, where it coincided with the opening of the yearly Halloween Time celebration. Jason and I have more on Halloween Time in a previous blog - this one will be on the Villains event, with photos and comments from Jason, Jeanine, and me.
Most of the Villains event took place from 8:00 p.m. to 1:00 a.m., so there wasn't a lot going on during the day, except for watching some of the preparations. The event descriptions from the Times Guide:
Party Like a Villain - Take to the floor and dance beneath the stars with the Disney Villains - who have come out to celebrate Friday the 13th as only they can! Our DJ spins an amazing mix of music, and special meet and greet locations are available to pose for photos with your favorite Villains! Main Street USA - Town Square 8:00 pm to 1:00 am
Unleash the Villains Dance Party - The "creepiest creeps" come out to play at our special New Orleans dance club - the Train Station in New Orleans Square! Each hour, a variety of the vilest Disney Villains make an ominous arrival into the party! New Orleans Square Train Station 9:45 pm to 1:00 am
I was disappointed that there wasn't anything happening during the day, since I couldn't stay for the evening events.
There were some special menu items available for the day, in addition to extra menu items that have been added for Halloween Time. The French Market had these Fiery Meatloaf Sliders - Meatloaf with Tomato Jam and Apple Slaw served with Handmade Cajun Chips and Grapes. $12.49
There were also Spooky Kooky Gingerbread Cookies (gingerbread zombies) available at Harbour Galley, Royal Street Verandah and Mint Julep Bar (though I think these will be around for the Halloween season). I tried one, and it was very tasty.
There are other seasonal offerings, like pumpkin beignets, pumpkin muffins, pumpkin lattes, but I covered those in the Halloween Time blog.
In preparation for the evening events, the Disneyland Railroad closed at 5:00 p.m., since the Villains Dance Party was being held at the New Orleans Square Train Station. It was nice to see the Lilly Belle at the station.
At Town Square, the street was closed in front of the train station, so the second performance of the Soundsational Parade was re-routed and went straight up Main Street rather than around Town Square. We saw the parade of techs bringing out the dance floor, though. :-)
There was a queue for entry to the dance floor set up inside the turnstiles - no one in it at 5:00, though.
There was a special Villains Unleashed t-shirt for the event. Another Limited Time Magic offering is Villains headbands for Maleficent, the Queen of Hearts, Ursula and the Evil Queen (pictured below). (Thank you to Gary and Debbie for allowing me to model their purchases).
I wonder when Disney is ever going to learn...the t-shirt didn't go on sale until 6:00 pm and was only available in two locations: the Royal Courtyard at the exit to Pirates, and the Tower Gift Store in Disney California Adventure.
The line in Disneyland was huge, and stretched all the way back to Indiana Jones in Adventureland.
The line in DCA wasn't bad - it was contained within the gift shop, and there were also more registers available there so it moved faster.
But if you don't mind waiting for it, the t-shirts are available on-line for a limited time: Disneyland T-shirt
By 7:00, traffic in the area was getting to the gridlock state. :-( I left at 7:45 - the lines at the turnstiles to get into Disneyland were long, and from the parking garage all I could see were red taillights on all of the roads and ramps approaching the area.
Jason went back into Disneyland to experience some of the evening events, so I'm going to turn this over to him now.
I returned to Disneyland around 7:15 or so. Town Square had a lot of guests. Some waiting for the dance floor, some for the character meet and greet, and some just lost or trying to get into or out of the park.
The dance floor ready to go.
The backdrop for the meet and greet.
Time for the Party Like a Villain dance party.
A video clip of the opening.
The dance floor was filled quickly by the waiting queue of guests.
There were dancers on hand too.
Looking behind me.. a good number of guests filled Town Square to see what was going on. But once they realized the characters were not dancing many left.
A video 360 of the scene.
A projection on the trees
A video from near the Mad Hatter
The mass of guests on Main Street.
The New Orleans Train Station was set up for the Unleash the Villains Dance Party that was to begin at 9:45pm It was about 9:15 when I walked by and they were still doing final setup.
They had another train pulled up to the other side. So you had an engine on one side and the Lilly Belle (tail end of a train) on the other.
At this point I decided to head for Main Street to watch Remember then head for home. I had an early wake up call on Saturday and planned to leave the parks by 10pm. On the way out the esplanade was packed. The lines to enter Disneyland stretched to the center where the compass is.
A little hard to see in this picture but Disneyland Drive was jammed on the left in this picture.
Jeanine made it back to the Unleash the Villains Dance Party and shares a few photos.
The dance party was very crowded - there was a huge line to get onto the dance floor which had been placed on top of the train tracks.
At the front they had two stages for characters with Lady Tremaine and the stepsisters on one side and Frollo, Hades, and the Red Queen on the other.
By then the special food was sold out and it was too crowded to ride any of the attractions in the area.
On the whole, it seemed like a nice effort on their part, but if I started seeing tweets from people saying it was traffic-y next time, I don't know that I would go unless they were offering up something more in the way of special entertainment.
D23 Expo 2013: Welcome Back My Friends, to the Show That Never Ends
So the other week, Disney had its third biennial Expo. Perhaps you've heard of it by now? Oh...
Well I had a great time anyway. The first day I started off checking out the various pavilions on the Exhibitor's Floor. The big hit for this year, as for all the other years, was the Disney Parks and Resorts pavilion.
To celebrate the 60th Anniversary of Imagineering, the booth was made up to suggest the actual building that houses Imagineering Headquarters in Glendale.
Inside, the pavilion was separated into various "cubicles," each of which spotlighted a specific area of Imagineering and housed Imagineers ready to discuss their work...mostly. There were displays up front representing work being done on both the Avatar and Star Wars franchises, but no news was particularly forthcoming about either.
Some of the most amazing sights were not available for photographs, particularly the Art Library section which housed the original Herb Ryman sketch of Disneyland, and the Peter Ellenshaw painting of Disneyland, publicly shown under black light for the first time.
Another exceptional feature was the handful of original concept models for attractions that were never built. Attractions such as the fabled Western River Expedition for WDW's Magic Kingdom...
...and the abandoned original Land pavilion from when it was still to have been sponsored by a lumber company.
There was one booth playtesting an interactive adventure called "Adventure Trading Company."
The idea was that you would complete various quests/adventures ($5 each,) and on completion would receive a "juju." The first one was free, and involved you having to make up a name for yourself and tell your story to the Adventurer in the booth.
Subsequently, some days after the Expo, I received a survey asking a lot of questions about the playtest, so presumably they are actually considering implementing this in the parks.
In one office labeled "Dimensional Design," you might have found items as old as the Carrara marble Snow White and Seven Dwarves statues from Disneyland's wishing well...
...and then turned around outside of it to find something as new as one of Disney's latest additions to its costumed fold.
Over in Show Animation, they had an impressively gesticulating Hatbox Ghost, along with a variety of other retired animatronics, such as the smoldering Iago and Tiki Goddess Uh-Oah, from Under New Management.
Set Decoration had an abundance of decor samples from Hong Kong Disneyland's new Mystic Manor attraction...
...and there were a jillion more areas with fascinating tidbits everywhere, if you didn't want to see anything else at the Expo. "Had we but world enough, and time..." Ah well.
Just outside the pavilion Mickey's of Glendale had their shop set up with enormous lines, just like every time I've visited the actual Mickey's of Glendale! The truth is in the details.
Speaking of shopping, the one booth that I was never able to get into because of the long lines, was, oddly enough, the Disney Store booth.
Disney Interactive was out in force, promoting the newly release Disney Infinity with many of the same photo-ops and giveaway machines they featured at E3.
Disney Consumer Products had a large number of displays showing off all the different branches of merchandise they develop. Some new friends...
...And some old ones.
Walking/working the floor were a number of Disney notables, such as Chief Archivist Becky Cline...
...Head of D23, Steven Clark...
...And Bob Iger, Disney Chairman and CEO.
(Side note: I was trying to be all cool and unobtrusive taking this photo, and one of the security guys basically laughed at me. I would make a bad spy.)
Again, there were a boatload of other pavilions, both by Disney and by outside vendors, but there just wasn't time enough to see everything in the detail you'd like as well as see the talks and panels. Each booth also usually had schedules of celebrity/artist/writer signings and giveaways if you didn't already have enough events to coordinate for the weekend.
By the way, does this booth look familiar to you? It should if you were following The Optimist--a alternate reality game Disney implemented in the weeks leading up to Expo (http://optimist.disney.com/) It was very fun and well implemented, with an elaborate climax over in Disneyland.
But on to the panels! The first day, I spent the bulk of the day in the entertaining but very long Art and Imagination: Animation at the Walt Disney Studios. Here, they went over most of the new movies in production from Pixar, Disneytoon, and Walt Disney Animation. While a lot of familiar players were featured here, such as Finding Dory and Planes, a standout surprise for me was Big Hero 6--a story of a robotics prodigy who, with his robot pal, joins forces with other crime-fighters to combat a threat to their town of San Fransokyo.
Their powerhouse however, was Frozen--they showed several clips from it, including a song from Olaf the snowman, and ended the presentation with Idina Menzel singing the movie's showstopper "Let It Go." Sadly, no photos or video were allowed.
Hosted by John Lasseter, it was an amusing presentation but it ran over by almost two hours, insuring that anyone staying to the end missed Tony Baxter's Undiscovered Disneyland talk (Gah!) in which it was announced that he would be awarded his own window on Main Street this Fall. Congratulations Mr. Baxter!
The next talk I made it to was Disney Imagineering Legend Marty Sklar Presents...Dream it! Do it!
Honestly? I've heard Sklar speak on a number of occasions, and this, quite frankly, wasn't his best. He started off saying that they had asked him to speak and he had responded that everything was in his new book. It seemed like a joke at the time, but the rest of his talk was such an amalgamation of material from talks he's given before, that perhaps it wasn't. The bulk of his presentation was video clips that either have been presented multiple times in the past, or are readily available on DVD, and a retelling of Walt's Four C's, and Mickey's Ten Commandments. It seemed like a talk more suited for company training programs than Disney enthusiasts.
The last event I saw for the first day was Broadway & Beyond...Celebrating the Stars of Disney on Broadway.
Hosted by Thomas Schumacher, President/Producer of Disney Theatrical Productions, this was a rousing romp through the musical catalogs of all the many productions Disney has had on Broadway. The cast was made up of Heidi Blickenstaff (The Little Mermaid,) Ashley Brown (Mary Poppins, Beauty and the Beast,) Merle Dandridge (Tarzan and Aida,) Josh Strickland (Tarzan,) and Alton Fitzgerald White (The Lion King.)
This was a great concert, with really strong performers doing both lesser-known songs, and songs they themselves performed in the shows. Josh Strickland in particular showed off his versatility, singing parts as varied as Tarzan, Quasimodo, and one of Ariel's sisters.
And that was only the first day! Phew!
The second day started off for me with Let the Adventures Begin: Live Action at the Walt Disney Studios. Again, no cameras were allowed.
Walt Disney Studios Chairman Alan Horn hosted the session that went over the lengthy docket of films currently in production. As expected, no big news on Star Wars VII was released, but then Kevin Feige, President of Marvel Studios, got the party started with his presentations including clips and star appearances from Thor: The Dark World, Captain America: The Winter Soldier, and Guardians of the Galaxy.
President of Walt Disney Studios Motion Picture Production Sean Bailey then introduced footage and stars (both in person and by remote,) of a variety of films such as Muppets Most Wanted, Into the Woods, Cinderella, and Maleficent.
He finished with the two films that have arguably been getting the most attention in the fan circuits the last few months: Tomorrowland, and Saving Mr. Banks. For Tomorrowland, filmmakers Brad Bird and Damon Lindelof came out and displayed the enigmatic "dusty old box" they brought in lieu of the film's star George Clooney, and showed some curious animation they claimed to have discovered, promoting the mysterious organization hinted at in The Optimist (remember when I spoke of that game earlier? CALL BACK, friends.)
They also announced that a booth dedicated to the mysteries of the box would be unveiled out on the Exhibitor's floor later that day, and that limited edition Tomorrowland t-shirts (worn by Brad Bird in the photo) would be on sale at the Dream Store.
Saving Mr. Banks showed us additional footage which added a few minutes onto the trailers already online, and brought out Jason Schwartzman and B. J. Novak who play Richard and Robert Sherman in the film.
The whole thing ended in a grand finale as Richard Sherman came out and sang "Let's Go Fly A Kite" with them, while confetti and kites whirled about the audience.
After that was over, I sprinted upstairs to catch ABC's Once Upon a Time: Behind the Fairy Tale panel with Edward Kitsis and Adam Horowitz. Laura already wrote about that in a much more timelier fashion than I, so I'll just say while the footage from Wonderland didn't impress me quite as much as Once Upon A Time, I'll certainly be watching as well.
After that, it was a mad sprint back to the Arena, where the Disney Legends Awards Ceremony was already in progress. Fortunately I got there in time to see the first award recipient, Tony Baxter.
All the acceptance speeches were very nice, particularly Glen Keane who looked back fondly on his start at Disney Animation, where he was met with the creative incense of "pencil shavings, cigarettes, and scotch."
(As a surprise to Richard Sherman, Jason Schwartzman and B. J. Novak returned to the stage to sing a number with him.)
Consequently, the part where they were together was whittled down to one song from each of them while they were both on stage as a curtain call. Ah well--more for next time.
Finally, we arrived at the third and final day, which was largely going to be taken up by a series of panels celebrating Imagineering's 60th anniversary.
The first discussion, called WDI 60th: Working With Walt, celebrated the early days of Imagineering, with Marty Sklar, X Atencio, Alice Davis, and Bob Gurr.
Subsequently, I saw WDW 60th: Craft of Creativity with Chris Montan, Tom Fitzgerald, Eric Jacobson, Daniel Jue, Joe Lanzisero, Kathy Mangum, and Joe Rohde. This was an interesting discussion that largely revolved around how they all became Imagineers, and how what they do compares to the popular conceptions of Imagineering.
Next up was WDI 60th: Leading a Legacy, with WDI Chief Creative Executive Bruce Vaughn, and former WDI Executive Marty Sklar.
The two spoke on and answered questions about the challenges and satisfactions inherent in leading a team of creatives.
Finally, the last panel of the weekend for me was WDI 60th: Leave 'em Laughing. This was a discussion on humor in the parks with Imagineers Dave Fisher, Joe Lanzisero, Kevin Rafferty, Jason Surrell, and George Scribner.
It was a nice way to wrap up the weekend, with some good humor to soften the post-Expo dejection.
In between the panels I finally got around to seeing the Treasures of the Walt Disney Archives--an exhibit I totally missed last Expo, not knowing that it closes early on the last day.
The objects on display were all impressive and attractive, although I would have liked to see more historical items in lieu of the artifacts from Disney's more contemporary franchises. Loved the Once Upon A Time stuff, nonetheless.
Perhaps in expectation of Saving Mr. Banks coming out soon, there was a heavy emphasis on Mary Poppins in the form of costumes, storyboards, art and props.
In the last hour or so, I was able to take one more turn around the Exhibitor's floor to see anything I might have missed before, such as the pirate ship from Once Upon A Time that was last seen at Comic-Con.
Finally, I was also able to check out the Tomorrowland booth which had an enormous line, complete with FastPass. As it turned out, the line was to borrow an iPad for the audio tour so I was able to skip it as I had already downloaded the app to my own.
Although they prohibited any photography in the booth, most of the papers and arcane items on display from the "mystery box" can be seen with descriptions in the Tomorrowland app from iTunes. It was a very professionally put-together exhibit that alluded to mysterious activities and futuristic discoveries made by a secret society whose members included Jules Verne, Nicholas Testa, and perhaps...Walt Disney? We'll have to wait for the movie to find out.
SO, that was the D23 2013 Expo. My thoughts, in summary:
The Good: I felt the content this year was really stepped up from last year. Year One Expo still feels like it had the most material of the three, but as that was prior to the start of the Destination D series, probably understandable. The increase in room size was a huge improvement over all past years--I had initially had no expectations of getting into even 50% of the Imagineering panels on Sunday, and yet I don't think anyone was turned away from any of them. The Parks and Resorts booth was remarkable in all the detail and gawk-worthy items and the concerts both nights were exceptional experiences that would be worth a trip even as stand-alone events.
The Legends ceremony and the panels with the original Imagineers were really the main reasons to attend this Expo, however--with the emphasis on looking back over the history of the company, the opportunity to see and hear from the people instrumental in building and continuing the Disney Legacy is something you can't get from many other venues.
The Bad: While the lines have improved, they continue to be something of an issue, primarily in the morning. I heard frequent complaints that there were insufficient people available to scan badges and that morning talks were going half-full because people couldn't get inside the hall fast enough to get to them. Lines for shopping were much longer than I remembered from past years, despite the fairly limited amount of Expo-specific merchandise that I saw.
I also think the topics of some of the talks could be beefed up. The speakers were great, but sometimes they either spoke really generally, or reiterated already widely-known anecdotes. Speaking just for me, I'm not so much interested in the streamlining of business communication, but in the specific history of Walt Disney and his company. I don't want to hear that you shouldn't crush your co-workers ideas, as much as I want to know, say, about the time you had lunch in the commissary the day before Disneyland opened. What did everyone say? What did they feel? Were they funny? Did they have nerves? What did they think were going to happen? These are things only the people who were there will know, and everything they don't tell us will be lost to time.
My main complaint would be one of time. The first Expo was four days and I think going back to that would really help alleviate some of the hysteria involved in trying to crush seeing everything in between overlapping panels. Unfortunately, the response to feedback like this usually tends to involve cutting the amount of presented material--NO. Less content is NOT desirable. Too much is better than too little, but more time to see everything would be best.
The Hmm...: The highlighted issue of this year seemed to be the "no new announcements" one. Prior to Expo, it was generally announced that there would be nothing new/exciting announced for the parks this year. During Expo, it became clear that there would, in fact, be no new announcements. Subsequent to Expo, there was loud hue and cry from some areas that the whole thing was a waste of time, because there were no new announcements.
Putting aside the question of why you would enter into an event expecting something you had explicitly been told not to expect, it's hard for me to imagine a Disney fan that couldn't find something of interest here. If you like the contemporary stuff, Disney Channel and Disney Interactive, along with ABC and the Studios all exhibited current projects and programs. Stars? Billy Crystal, Angelina Jolie, Chris Evans, Anthony Hopkins and more were in attendance. If you're a fan of the history of the company, Tony Baxter, Alice Davis and a plethora of other Legends had you covered. If you just like the music, there were concerts and panels by Randy Thornton and Stacia Martin. If you primarily follow the parks, there were exhibits and Imagineers available to answer questions on almost every facet of attraction development. If your entire interest in the Disney company boils down to only caring about new developments for the parks and resorts...well, that is some impressive specialization, and no, this probably wasn't for you.
Having said that, I guess the next question would be, "well, why aren't they announcing anything?" The pat answer would be that they simply didn't have anything to announce, however we've seen in the past that that is often not the case. The company has had huge releases in the past, sometimes in the next few weeks after the Expo, and it just seems as though they might be able to schedule it a little better. Just this last weekend saw Disney Infinity appear in stores and online for purchase--doesn't it seem as though making this available during Expo would have generated some sales? Obviously there must be creative and legal reasons for why a given thing might not be ready for announcement but on the other hand, you do have two years to make your arrangements. While I certainly don't think the presence or absence of startling news at each Expo is a make-or-break issue, the times when it looks like the news is passing the Expo by, makes it look like more of an after-thought to the company when it really should be a vital way for it to celebrate its past and display its vision for the future.
Quibbles aside, I thought this was a fantastic event, particularly for fans of the history of the Disney Company, that was a vast improvement over the last Expo--I look forward with expectations of an even better one in 2015!
Menken and Sherman Q & A: Together Again for the First Time
On August 6th, D23 hosted a conference call with two of Disney's preeminent songwriters, Alan Menken and Richard Sherman. During the course of the call, they answered a variety of questions concerning their music, their mutual admiration, and their upcoming joint concert "Richard M. Sherman and Alan Menken: The Disney Songbook" taking place on Saturday, day 2 of the D23 Expo. Here are some samples of the topics discussed.
The first third of the call was Alan Menken, answering questions by himself.
Question: What is it about Disney music that touches people?
Menken: "For me, it's because they're tied to specific movies...they're not just songs that are slotted in randomly. (In) the Disney Songbook, each song encapsulates the experience of a different movie, a different era, a different character, and a different time in the listener’s life, so I think there's something really special about them. Also, there's no cynicism in the Disney Songbook. It really is a very heartfelt, genuine storytelling that's in these songs, and I think people love that about them."
Question: What's it like to perform before rabid fans?
Menken: "It’s fun, it really is fun. It’s a really powerful shared experience. I’d be lying if I didn’t say it wasn't part of a pleasant ego trip because everything I’m doing they’re reacting to so exuberantly to. It’s kind of great! It’s great fun, really."
Question: Any fanboy nervousness, performing with Richard Sherman?
Menken: "No, not really. Dick is such a nice man. He’s been an extraordinary supportive presence in my life since I first came over to Disney. It's a relationship that he could have felt insecure, competitive but he didn’t. He just was welcoming and generous and warm so I consider Richard Sherman to be a dear friend and I (am) really looking forward to the two of us entertaining people, and then we're going to sit down together and get interviewed together...I have no idea what it will be like, but I presume we're going to have a lot of fun."
In the second third of the call, Richard Sherman joined in and answered questions with Menken.
Question: Was it difficult to pinpoint songs for the concert? What will you be doing?
Sherman: "Do you want to take that first, Alan?"
Menken: "It's always a challenge to pick out just the right material for an audience, and we did have some requests from our hosts (at least I did,) and the way the structure...made it somewhat easy to decide on songs. Maybe the biggest challenge was which of the unknown songs or cut songs do I want to put in, and how do I want to contextualize so it becomes interesting for the audience."
Sherman: "Well the same thing for me, I think. You know, we have so many to choose from, you try to select and we try to do a potpourri, not a complete run-down of every single thing from a film, but just sort of a sampling of various things over the years that I did. So it was kind of a fun thing like looking at all my children and seeing which one I’ll take on an outing."
Menken: "Exactly. I could not agree more...We're just going to be at the piano playing and turning and talking to the audience and just..."
Sherman: "We’ll be our own accompaniment, so to speak. I'll take a turn, and Alan will take a turn, and then we're going to do a kind of special thing, we're going to get together and compare a little bit of our histories, and favorite pieces, our most endearing pieces to us personally, and it’ll be kind of a fun thing, you know."
Menken: "And a little peek at some of our non-Disney things too."
Sherman: "Exactly. We'll touch on a couple of things that put us in the position to work at Disney."
Question: What is your favorite song of each others?
Sherman: "Oh, that's interesting. Alan has written so many gorgeous, gorgeous songs...He's a great melody writer, a wonderful harmony...there's so many..."
Menken: "There's so many. I mean, you have Jungle Book coming up and there are some songs in there that are just amazing. Let me think..."
Sherman: "I don't want to pick just one. There's so many..."
Menken: "You know, you look at Supercalifragilistic, and that's so known--so well known, but that’s really...there couldn’t be an Under the Sea without.Supercalifragilistic. And it's the combination of the exuberance, the rhythm, the cleverness of the lyric, and the catchyness of it...It just gets into your system."
Sherman: "An explosion of emotion."
Menken: "And it set the standard, it set the bar for what Howard and I did."
Sherman: "Thank you so much. I mean, you and Howard particularly wrote so many incredibly gorgeous songs...But one of the songs gets to me more than...I like so many, but I fell in love with Suddenly Seymour, which you wrote for a show way way back before I knew you and everything. It's such a passionate song, a wonderful explosion of emotion. And then I think Part of Your World--gets to me. It really just does. I just love that song. So there's really so many that he's written, if you try to pick one, it's impossible."
Menken: "It's a 'pick one out of a hat' kind of thing."
Sherman: "You know something? We’re both fans of each other and it makes it kind of fun."
Menken: "Yeah, as songwriters, we're fans of the fact that we each have a...Richard has a unique voice that's in common with his work, and he comes through in his work, and I think I come through in my work, and I think that really--each song is just a manifestation of that voice."
Sherman: "Yeah, the feel we have about life, about people, and about music and about what we're trying to say with our gifts. Because you don’t take too many big deep bows for a gift. You're just gifted with that, and it's what you do with it, that's important."
The third and last segment of the call was Richard Sherman by himself.
Question: How do you do that, over and over, making songs that can stick in people's heads?
Sherman: "Well you know, it's a funny thing, but I come from a musical family and my father was a very successful songwriter back in the 30’s and 20's and 40's. His name was Al Sherman, and my Dad wrote very catchy tunes. And I used to listen to all his songs--I loved the way he wrote melodies, that they really grabbed hold of you and they were very definitely something you could take with you. And that was one of the things that I...Fortunately I had musical talent, so I could pick that up, and so I always tried to write something that's fresh and original, and yet very catchy and something that's easily accessible. And so basically, I’m not trying to be 'look how brilliant I am,' I'm trying to be 'look how much fun I am.' There's a difference. And I write fun songs that are kind of as original as they can possibly be, with catchphrases and little stuff. And the lyrics are very much a part of the song...If you have a very catchy idea. And so Bob and I both worked very hard to get the right lyric and the right words, so the melodies can soar."
Question: I applaud your longevity...
Sherman: "There's not much of an alternative, you know."
Question: What's your secret?
Sherman: "I have a good time. I never feel like I’m working...I was blessed...From early on, when I could finally say I made a living as a songwriter, I was always blessed with doing my hobby! My hobby was writing songs! I mean, I would have been happy to do it without getting any money for it...I love writing songs, and I love the challenge of writing different kinds of things, so it was always kind of a fun thing for me, and I guess I owe it to the fact that I have a good time at it. I mean, if I didn’t, I would have retired years ago. But people want my stuff and want my opinions, and my feelings about how something's going to happen, and occasionally they want a song from me, so I'm happy to do it! Sure! And it keeps me going, I'm 85 years old, but I don't feel it--I have my health, Thank God, and I have my enthusiasm. I've always been that way."
Question: What is the main message you would like to get across to Disney fans, through this D23 Expo concert?
Sherman: "Well I think the message the Disney fans already know, but I’ll just say it. There’s a wonderful thing called being positive in your life, as opposed to being negative, let's say 'the upside of the coin.' Both Alan and myself have been blessed with the chore of writing things for very upbeat ideas--they're not depressing, they're not cynical--they're positive, there are strong feelings of goodwill in them. We were both blessed with that, and I think that makes a big difference. I think all the Disney fans will recognize that immediately. There's nothing cynical about our work--none of us.
"Somebody once asked me what was my biggest feeling, and the biggest, most wonderful gratification I get, is the fact that people get joy out of my work. And if that's the case, that's great. They feel good about it, they have a good time and they feel happy about it, and that is...truly my reward."
Richard Sherman and Alan Menken will be performing the Disney Songbook together on Saturday, August 10, 2013 at the D23 Expo. For more information: https://d23.com/d23-expo/
"Disney's Planes" is a new 3-D animated feature from Disneytoon Studios set in the same world as Pixar's "Cars."
Early in the film, Dusty the cropduster wistfully exclaims that he wants to prove that he "can do more than what he was built for." His journey towards that goal, more than his race around the world, makes up the heart of this latest Disney feature.
In this third of the in-production (rumored) Planes Trilogy, our protagonist Dusty yearns to leave his cropdusting life behind for the glamorous, fast-paced life of a racing plane. Despite warnings from his personal mechanic Dottie that he is simply not built for that kind of metal fatigue, he manages to scrape his way into the prestigious "Wings Around the Globe" race. As it progresses, Dusty is faced with danger, romance, betrayal, and heartache, and is forced to prove his mettle in more ways than he could ever have dreamt.
Going into this film, you might expect it to have a lot in common with its Cars progenitors, and you'd be right. There's the small town/old crusty coach with a secret/dim-witted truck BFF/cute car pittys from Cars 1, and the international race/serious car deaths from Cars 2. What you might not expect is the wild tonal shifts the picture makes as it swings from gentle Pixar-ish character-based humor, to Dreamworks-ish topical/sometimes-crass humor, to realistic shots of Dusty taking on damage, to a oddly long and violent "Saving Private Ryan"-ish segment in a military flashback.
The main quibble I have with the picture is its main character, Dusty. He starts off the movie as a nice, determined, wisecracking dude, and ends it pretty much the same. There's no character arc, because there aren't any really distinguishing features about him--he helps others with their problems and works hard at racing, but doesn't really have any personal issues beyond his fear of heights to overcome. The acrophobia seems a little tacked on as well, and when he surmounts it, there doesn't seem to be any particular reason for why he does, except that...he does. This featurelessness more than anything else brands this as more of a children's movie for me, as often children's protagonists seem deliberately uncomplicated so that a kid can identify/replace himself with them. Then again, I thought the same thing about Harry Potter, and he proved pretty popular regardless.
It is probably not overstating matters to say that many people enjoyed Cars 1 and 2. It is probably also not overstating matters to say that many people had difficulties with the logistics of their world, as it was presented. Where were the people? How do the cars exist as completely independent entities? Cars have a Pope? I think it's a safe bet to say that if you couldn't get over cars not having opposable thumbs in those movies, Planes is not for you. On the other hand, if you enjoyed the Cars franchise before, but were maybe put off by the complicated plotting of Cars 2, you will likely enjoy Planes. If it occasionally shows its direct-to-video roots, it's still a pretty film to look at, with a lot of arresting action thrown in and an inspiring message of overcoming your physical limitations...which ends up working out better for Dusty than Mike Wazowski.
Subsequent to the media screening, AllEars was able to attend the Red Carpet opening of Disney's Planes' World Premiere, at the El Capitan Theatre in Hollywood. Attending were the majority of the film's voice talent, along with Director Klay Hall, Producer Traci Balthazor-Flynn, p.g.a, Executive Producer John Lasseter, and a slew of other cinema notables.
Screenwriter Jeffrey M. Howard was kind enough to talk to us for a minute about working in the universe of Cars, and plans for the future movies.
Disney's Planes will open August 9, 2013. Director: Klay Hall; Voice of Dusty: Dane Cook. This is the first picture of the Cars franchise to get a PG rating.
AllEars was invited to the preview showing of Planes and the Red Carpet event.
San Diego Comic-Con 2013: Sleep and Food Are For The Weak
Comic-Con time again, and you know what that means--the traditional escalator shot of the sign.
This year, my con experience started off with Disney Infinity's preview event. Here, con-goers could take a turn playing the big upcoming Disney Infinity video game, enjoy snacks, and even get character sketches drawn by Disney artists.
D23 members were given special access on Thursday, the first day of the con.
Later in the con, Dan Povenmire and Jeff ‘Swampy’ Marsh, creators and executive producers of ‘Phineas and Ferb’ stopped by the Disney Infinity space to announce that Phineas and Agent P would be part of the 2nd wave of figures developed for Disney Infinity, and give out a handful of hand-painted figures.
Out on the Exhibitor's Floor, ABC's Once Upon A Time (OUAT) was represented with a pirate ship complete with tiny screening area inside, and huge lines outside.
The people managing the lines were, however, fairly familiar to viewers of the show.
Inside the ship, a short trailer showing scenes from the last season was played, after which we were given some small gifts extracted out of one of the Evil Queen's heart-vault-drawers.
I believe there were four different pins given out altogether, and if you managed to collect all four, you could get a VIP pass to the OUAT panel later that weekend. Given the length of time required to navigate the line however, it was a daunting task.
From the sounds of it, this may be the same pirate ship OUAT will be bringing to D23's Expo in a few weeks.
As two of the latest Disney acquisitions, Star Wars and Marvel were out in as much force as you'd imagine.
Want to get your car wrapped with stormtroopers? You can get that!
Want sunglasses with light-up lightsaber earpieces? You can get that too!
Over at the Her Universe booth, Star Wars Weekend veteran Ashley Eckstein was working hard moving merchandise...
...but hokey religions and ancient weapons are no match for an Imagineer in your booth, such as Jason Surrell.
Meanwhile over at the Marvel booth, displays rotated in and out constantly to promote their huge slate of upcoming films.
Of the many panels Marvel offered this year, one I enjoyed (of the few I was able to get into,) was on the Avengers TV spin-off, Agents of S.H.I.E.L.D.
All the major cast plus several of the writers and creator Joss Whedon were there to answer questions and set up a surprise showing of the complete pilot episode.
Full of action and Joss Whedon's trademark humor, if the Comic-Con audience was any judge, it should be a huge success. [It is probably also true that if the Comic-Con audience was any judge, Firefly would still be on the air. Caveat Emptor.]
And of course the cosplay. So. Much. Cosplay.
The main difficulty is getting a good look at all the amazing costumes people concoct for themselves amidst all the constantly moving crowds.
So it was one more year of one of the largest, most hectic fan gathering in the world. As fun as it is, however, after a weekend of existing off of no sleep and one carefully rationed bag of M&Ms I grabbed at a screening, it's usually a comfort to get back to normal life, away from all the fantastical, chaotic elements that have no basis in reality...
A new upcoming online video series from Disney Interactive Video will be debuting at the D23 Expo next month: Blank: A Vinylmation Love Story. Here to explain a little about it is Matt Wyatt, Director of Creative / Producer at Disney Online Originals.
On my visit to the studios, Matt and the rest of the Creative Team showed us some of the planning and storyboard materials in use during the making of this stop-motion animated story, and exhibited some of the different sets being filmed. Displaying the careful detail they've built into the world mythology of the Vinylmation existence, the whole physical Vinylmation plane is constructed to superimpose exactly on a map of Disneyland.
In another room, we were shown the process of developing a shot from the storyboards...
...To the set construction...
...To the scene direction and cinematography.
The dialogue-free story involves vinylmations of all sizes, from the giants to the miniatures who distill the vinylmation paint from the flowers.
Even some of the Park Starz get cameos.
The fairly new branch of the Disney company works on something of a limited budget. Margie Gilmore, VP of Disney Online Originals, described their daily challenge as one of producing Disney quality with a shoestring budget. Some of the sets were built with materials scavenged off of the outside of the studio building.
Gilmore observed that the film was being created using "passion, hard work, and dumpster diving."
To make the look consistent with the Vinylmation world, Regino Roy, Co-Director / Co-Creator / Production Designer for the series showed us how even the trains were designed to mimic the vinylmation monorails
So knowing relatively little about the whole project (or even Vinylmation as a whole,) I think I was expecting something along the lines of a series of Vinylmation commercials. What you get instead with Blank, is a gentle, sometimes poignant tale of self-actualization, similar in some ways to Wall-E, in which characters strive to make connections and reconcile the differences between what they are and what their society requires them to be. The fact that the main characters have no facial features or voices would seem to render them completely without expression, and yet their point of views are always very clear. The art design and soundtrack are impressively attractive and imply a much higher production budget than what the studio says it enjoys.
Even if you're not much of a Vinylmation fan, I think Blank: A Vinylmation Love Story is worth a viewing. If you are a fan, it's a no-brainer. The first three episodes will be shown at the D23 Expo this year, with another nine three-minute episodes to follow.
Summertime's here, and we are fast approaching the onset of convention season, where big cavalcades of fannish delight such as San Diego Comic-Con and Disney's own Expo come piling on, one after the other, until by September it all threatens to become a blur of massed crowds, waiting in line, and overpriced concession food.
When making your plans as to what to attend this season, one smaller event traditionally well worth your time is the DisneyanaMania (previously NFFC/Disneyana) Annual Convention. To give you an example of what to expect, here are some of the highlights from last year:
The first day started with "Historic Anaheim," starring long-time Disney artists Kevin Kidney and Jody Daily.
Kevin spoke on their work with the Anaheim Historical Society to preserve and restore Anaheim's heritage, starting with Anaheim's old Disney-provided mascot, Andy Anaheim.
Next up was Disney Legend Marty Sklar and his presentation on "Epcot--How it Changed the World."
This talk was similar to the ones given at the EPCOT 30 event later in the year, showing a lot of early photos of both Disneyland and Walt Disney World, and touching on many of the early plans and goals the Imagineers had for EPCOT.
At the midday break, they held their traditional "Luncheon With A Disney Legend," at which Glen Keane, Roger Broggie, and Roger Broggie Jr. were made Disneyana Disney Legends. (Roger Broggie Jr. accepted for both himself and his father, before tragically passing away later that year.)
One hilarious panel came after lunch with Dan Povenmire and Jeff "Swampy" Marsh, creators of Phineas and Ferb. They spoke about their initial concepts for the show, the challenges of having written over 300 shows (at the time,) and how affected they were by the show's popularity. "We saw the show (Phineas and Ferb's Rockin' Rollin' Dance Party) and cried. Then we hoped people didn't see us and think we were sad, middle-aged men, so into Phineas and Ferb."
Joanna Miller then shared some photos and memories of her grandfather, Walt Disney, in "A Chat with Walt's Granddaughter."
The end of the first day came with Lisa Girolami, Senior Show Producer on the renovation of Disney's California Adventure, who gave a presentation on "WDI: Buena Vista Street."
The next day started with "Selling Disney--The Art (and Fun) of Movie Promotions." Here, Robert Tieman showed us a lot of ads and promotional materials companies used to synergistically market their products along with the Disney films.
In order to celebrate the 20th anniversary of the film Aladdin, there was an ASIFA (Association Internationale du Film D’ Animation) panel made up of several of the key animators. Tom Sito moderated, with Scott Weinger, Andreas Deja, Duncan Majoribanks, Rick Farmiloe, and Mark Henn in attendance.
After lunch a panel of distinguished authors convened to talk about their various books. Prior to that, they had all been available for greeting and book signings:
Sam Gennaway, Urban Planner;
Jack Linquist, first President of Disneyland;
Dave Smith, former Chief Archivist;
...and Legendary Imagineer Bob Gurr. Also in attendance were Margaret Kerry, Tinker Bell, and Carolyn Carroll, widow to Eddie Carroll, voice of Jiminy Cricket.
"Around the Campfire with Marty" was another great talk, featuring David Stollery--Marty of the Spin and Marty series. He told anecdotes about the filming of their Mickey Mouse Club series, his later career in design (his company is the only designer of life guard towers in the world!) and his ongoing friendship with Tim Considine (Spin.)
Rounding out the weekend of seminars was Kevin Rafferty, talking about the development of Cars Land from its inception as "Carland," some two years before the movie "Cars" came out.
Their closing banquet this year was themed around a joyously rowdy Pirates of the Caribbean panel made up of Alice Davis, Roger Broggie Jr., and Bob Gurr.
The next day was their traditional All Disneyana Show and Sale, where several rooms of people selling virtually anything Disney-related you might wish for happily plied their trade...famous and non-famous.
What makes the Disneyana Convention stand out is its relatively small size--there's no call for hours of queuing, and plenty of available seating for each presentation. The audience is small enough where most speakers are able to take the time to briefly greet anyone interested. While the price is higher than a few of the other conventions ($270 for two days of seminars, not including the special ticketed dining events,) it could easily be argued that the ability to attend relatively stress-free is worth the difference.
This year, DisneyanaMania 2013 is being held July 11 through 14 at the Crowne Plaza Resort in Anaheim. Registrations are still being taken at http://www.disneyanamania.org/ where you can also find a schedule of events and more information. Scheduled speakers for this year include Marty Sklar, Rolly Crump, and many more.
So as far as the Disney video games besides Disney Infinity and Ducktales Remastered, there were several others represented at E3.
Phineas and Ferb: Quest for Cool Stuff is a platformer game in which you can play as either Phineas and Ferb, hunting for artifacts to populate their Museum of Cool, or you can play as Agent P, out to foil the evil plans of Dr. Doofenshmirtz. [Multiple platforms]
Kingdom Hearts III was announced in development by Square Enix. Despite the name, this will be the eighth installment of the Kingdom Hearts series--an action role-playing game which combines characters from the worlds of Disney and Final Fantasy to wield keyblades and battle the Heartless. [Playstation 4, XBox One]
Castle of Illusion Starring Mickey Mouse is a side-scrolling platformer which will be remade for release later this year. Although the 3-D graphics will certainly be an update from the original 16-bit version, presumably the storyline of Mickey entering the Castle of Illusion to save Minnie will not. [Playstation 3, XBox 360, PC]
Possibly the game with the most confusing trailer was announced shortly before E3--Fantasia: Music Evolved. Billed as a successor to the movie Fantasia, it is a motion-controlled music rhythm game in which the player follows gesture prompts to gain points/energy that are subsequently used to open up and give life to different virtual environments. Oddly enough, there has so far been no indication that any Disney music or characters will be used--the Fantasia tie-in seems to be the manner in which the player conducts "molecular magic" like Sorcerer Mickey. My favorite part? Jazz clams! [XBox One, XBox 360]
Today, June 17, D23 is launching a completely re-worked version of its website, complete with around 98% new archival content, specifically for D23 members.
On accessing the home page, it is readily evident what content is available only for registered members, by the gold Mickey key in the corner of the article's banner.
Once the member has logged in, the background of the page turns to gold, and all the material is unlocked for perusal.
One exciting new feature is an updated electronic version of Dave Smith's Disney encyclopedia
"Disney A to Z," which is going live with 7,034 pages on launch. Another is "D'scovered," in which the Disney Archives will share photos and images often never before seen by the public. Recently, some canisters of film from Walt's desk were developed, yielding personal photos not even seen by his daughter, Diane Disney Miller--for the first 23 days, the website will display a different one each day.
Other reference materials will include a digitized version of "The Quotable Walt Disney," and a section on character profiles. If you still can't find the answer to your question, you can submit it to "Ask a Legend," in which various Disney Legends (starting off with Marty Sklar,) will do video interviews in response to fan questions.
To balance all the historical content, there will be articles on more contemporary subjects as well--audio interviews with Ginnifer Goodwin, Snow White from the ABC show Once Upon A Time, and Dr. Heinz Doofenschmirtz, Evil Mastermind from Phineas and Ferb. The "First Look" department will also focus on the new and upcoming projects from different branches of the company.
While membership is required to see the bulk of the new website content, D23 is also adding a new, free, tier of membership. Members at this level will receive, in addition to website access, opportunities to buy exclusive D23 merchandise, and discounted tickets to the D23 Expo 2013. Silver members will still receive all their usual discounts and event opportunities, and Gold members will now be the exclusive recipients of the Disney twenty-three magazine. Memberships take 24hrs to process, so count on that amount of lag time between signing up and logging in.
At the same time, D23 will also be launching three sister websites: The Walt Disney Archives, D23 Expo, and Disney Legends. Registration will not be required to access these sites.
If you have any interest in the past, present, or future of the Disney company, or if you ever find yourself in need of reference material for anything Disney, signing up for the free D23 membership versus depending on the sometimes-sketchy information on Wikipedia seems like a no-brainer. Registration can be accomplished at www.D23.com or www.DisneyStore.com/D23
In a media event associated with the Electronics Entertainment Expo (E3) this week, Disney Interactive released new footage of their upcoming release Disney Infinity: A video game in which real toy figures encode virtual Disney characters for play in both pre-set and user-designed environments.
The starter pack comes with three figures--Mr. Incredible, Sully, and Captain Jack Sparrow.
Each figure comes with their own appropriate environment and story-driven game, which, when finished, allows the player to unlock various assets for use in the "toy box" mode. In this mode, the players can build their own worlds, using characters, buildings, vehicles, etc., from any of the available franchises, interweaving them as they please.
Figures can be purchased in three-packs, or individually. In addition, there are discs that you can layer on to add different powers to a given character, or new environmental assets.
While the game can be played singly, it seems clear that a great part of the game is the interaction players can have with each other, particularly in either fighting or competing in different games and races they can personally design.
The newest figures capitalize on the upcoming Disney film The Lone Ranger. This, along with the utilization of the Monsters University environment, shows the versatility of the platform as far as being able to keep up to date with future Disney properties.
The starter pack is currently available for pre-order online, with release scheduled for August 18, 2013.
As we enter into the beginning of summer, we once again approach E3--the annual trade show for the computer/video game industry. This year looks to be one of significant Disney presence, given the upcoming launch of their new Disney Infinity franchise, and the nostalgic DuckTales Remastered.
One of the kickoff events was the opening of the videogame-themed art show iam8bit Entertainment System at the iam8bit gallery in Los Angeles.
The show displays a multitude of art pieces celebrating all things gamer, with a nod to various and sundry other areas of geekery.
The main attraction for the Disneyphile, however, would definitely be Scrooge's Money Bin, in which you can burrow around and take photos. Here's the artist's rendering...
...And here's the actuality.
In addition to the pit itself, they had various props people could pose with, including crowns, jewels, and, in a nod to fans of the original DuckTales game, the Green Cheese of Longevity.
Trailers for the Capcom-Disney property were recently released, showing footage from the Amazon and Transylvania areas of DuckTales Remastered, respectively:
iam8bit Entertainment System is located at iam8bit Gallery, 2147 W. Sunset Blvd., Los Angeles, CA 90026 and is set to run from June 7 to June 30, 2013. The gallery is open only certain days and hours of the week, so check http://iam8bit.com/the-gallery/ for specifics. Street parking available.
So it happened to come about that I traveled around a bit back in April. I started off with a one-way ticket to Hawaii that I had to use before it expired, and then somehow the whole thing expanded to include the Tokyo Disney Resort, Walt Disney World, and the Disney Fantasy.
Because various members of the hard-working/good-looking AllEars Blog team have already written extensive blogs about all those places, I figured the most efficient way to share some of the highlights of my trip might be to hit some highlights and show some photos.
First stop: The Aulani Disney Resort at Ko Olina, Oahu. This was of necessity a brief visit of a few hours, as I only had a couple of days total in Hawaii and was not staying there.
Top Ten Things I Noted at Aulani:
1. It takes about 20-30 minutes to drive from Waikiki to Aulani during low traffic.
2. Parking is 35 bucks a day. $35! And they only validate at the big restaurants or at the spa, and only for spa services--not for retail purchases.
3. The lobby is nice and airy, and reminds me a great deal of the Animal Kingdom Lodge.
4. The big restaurants close between lunch and dinner, so if you go there between 2pm and 5pm, you may not be experiencing them that day.
5. You can currently tour the DVC model rooms which are beautiful and seem to have a layout a little like what I remember of the Bay Lake Towers rooms at the Contemporary.
6. The friendly CMs there have a general sense of expecting future resort expansion down the beach, but no one would cop to knowing anything specific.
7. There is a developing shopping/eating complex across the road from Aulani which should provide more choices for retail consumption.
8. The lagoon in back of Aulani is very pretty, however it was closed while I was there, secondary to some environmental spillage in the area.
9. The menehune are terribly cute and appear to figure in an interactive discovery game, similar to the Agent P Adventure at EPCOT, available to resort guests.
10. DVC members get two free parking spaces per room, so try to be one of those.
On May 25th, Fantasyland Theatre (née Videopolis) debuted a new live show, "Mickey and the Magical Map." At a preview for the media, Disneyland President Michael Colglazier made an appearance to introduce it.
Mickey, apparently in the middle of his preparations to go onstage as the show's star, joined him in welcoming everyone.
The background for all the numbers is made up of an innovative LED screen which features nearly 1 million pixels and 35,000 square inches. It moves in sections, on wagons that weigh more than 9,000 lbs each.
Without giving too much away...The story begins with the Sorcerer Yen Sid (perhaps familiar from the Epic Mickey games) directing his Mapmakers to paint a map able to transport dreamers to all the places they imagine.
Video of the entire show:
[SPOILERS follow for those concerned about such things.]
The ensemble proceeds to carry out his wishes, to the tune of the original song, "Journey of the Imagination."
To his dismay, Mickey is apparently unqualified to help out with this project, having not yet finished his apprenticeship and gotten his degree in mapmaking.
Left to his own devices, however, he manages to find an unfinished spot on the map, and decides painting it in would be a good proof of his abilities. Unfortunately the spot has other ideas and he finds the process a little more involved than it initially appeared. In pursuit of Spot he ends up entering the map and getting carried away to different worlds of classic Disney films.
The first stop is The Jungle Book, where King Louie performs "I Wan'na Be Like you," with the ensemble cast.
Next, a highlight of the show presents three Princesses in sequence: Pocahontas, singing "Just Around the Riverbend..."
...Mulan, performing "Reflection..."
...And Rapunzel singing "I See the Light," with Flynn Rider.
They end up all singing their different songs together. The map plays a nice role in differentiating the numbers as each section morphs in turn, into a background suitable for each respective princess.
The spot isn't finished with Mickey yet, by a long shot, and the next stop is "Under the Sea," with Sebastian and guys in bubbles.
In retrospect, I'm not really sure why the bubble guys aren't asphyxiating, since you have to figure their heads are completely covered in latex.
Eventually Mickey comes to the realization that not only are all who wander not lost, but not all who are not painted really want to be painted. Happily accepting the status quo, Mickey and Spot scoot off for one more adventure with "Hawaiian Roller Coaster Ride," from Lilo and Stitch.
Sorcerer Yen Sid returns to congratulate his apprentice on learning the lesson that just as there are no bounds to our imagination, the map can never be finished as long as there are new dreams left in the world.
Mickey graduates from his apprenticeship and is given his choice of anywhere the magic will take him. He chooses...New Orleans? Well, that's as magical as any, I guess. Princess Tiana and her showboat make an appearance to the tune of "Dig a Little Deeper."
To end the show, Mickey appears back out of the map and closes with a reprise of "Journey of the Imagination," with the usual blast of confetti streamers.
Afterwards, we were treated to a brief Q&A with Kevin Eld, Head of WDI Creative Entertainment, and Michael Jung, Theatrical Development Executive, WDI Creative Entertainment.
For the most part, they spoke of how glad they were to be able to utilize the theater to tell more stories, now that the Princesses have relocated to the new Fantasy Faire area. The process of choosing musical numbers was multifactorial, including the criteria that the songs well articulate the heart of the story--that imagination can take you anywhere. Songs were mostly kept upbeat, to better deal with the open-air theater's ambient audio.
Although the nature of the show seems to lend itself to changing different numbers, possibly to support new films ("Frozen?") and remain relevant, the team assured us that the current incarnation would likely stay around for awhile.
Laura also interviewed Executive Producer Doug McIntyre:
The show is certainly entertaining, with a plethora of energetic singing and dancing. The screens are used inventively with Mickey's transition from outside to inside the map handled particularly well, although the subsequent interstitial bits combining animated Mickey with live-action Mickey seem a little rough to me.
As a whole, the show reminded me a great deal of some of the newer shows Disney has recently unveiled on the cruise ships. "Wishes" in particular has the same heavy use of the video screens as background, and also includes "I Wan'na Be Like You," "Reflection," and "Hawaiian Roller Coaster Ride," as well as different songs from the movies "Tangled" and "The Little Mermaid." The production values look good and the songs are mostly your classic Disney standards...so whether or not you find the saga of Mickey and the Unpainted Spot compelling, the musical numbers are pretty solid entertainment.
"Mickey and the Magical Map," runs 22 minutes long, and is scheduled to run five times a day throughout the summer.
How I Spent My Monstrous Summer Day
by Jason, Jeanine, and Laura
We thought we would collect up some of the photos we took and tweets we sent out during Disneyland's Monstrous Summer All-Nighter and share them here.
(We must give credit where credit is due, and tell you that Jeanine is the only one who made it through all 24 hours of the event. She should get something for that...a good night's sleep at the very least!)
Our day began well before 6:00 a.m., as we all made our way to the Esplanade to await park opening.
Early arrivals received these "monstrous" glasses.
We were (pleasantly) surprised that there weren't too many people, and it really wasn't crazy at all. Both Disneyland and DCA were going to be open for 24 hours, so people were lining up at the gates on both sides.
Mike and Sulley made a couple of announcements and then did a countdown - there were bursts of fireworks over both park entrances.
Inside Disneyland there was a gauntlet of characters and cast members waiting to greet guests as they entered the park.
Everyone received a button when they went through the turnstiles.
@disneygeekcom: A look at the Time Guide for today's Monstrous Summer All-Nighter page 1
There was special event merchandise (of course). We saw lots of people wearing the shirts.
Special mouse ears.
Hour 1: We went over to DCA. The news boys were handing out Buena Vista Bugles.
Each park had a photo-op sign with a clock on it.
Radiator Springs Racers wasn't open yet, but they were running cars on the track.
Hour 2: There's a Monsters University meet and greet in Hollywood Land - themed like a college dorm.
Hour 3: Cast members at the entrance to Cars Land had bags of the "Cars" buttons they distribute there, and were entertaining guests as they asked trivia questions (though everyone eventually was given a button whether they answered correctly or not).
@disneygeekcom:There was a free screening of Monsters University this morning at AMC in Downtown Disney
@Just Jeanine: Just saw Monsters University! Two thumbs way up!
While Jeanine and Jason were at the screening Laura wandered around the two parks.
Hour 5: Back at Paradise Gardens they are preparing for the OPA! celebration of Greece this weekend (most of the events will take place over in Disneyland).
There are new "monster-sized" 32 oz drink mugs ($7.79).
Many dining locations had special food items for the day. Boardwalk Pizza & Pasta featured this Mac&Cheese flatbread pizza.
There were also various treats at locations like Trolley Treats, the Candy Palace, and Pooh Corner.
The Monsters sign in Disneyland's Town Square at 11:40.
Hour 6: Disneyland was still not crowded - very short line for a meet and greet with Jessie.
Hour 7: Disneyland wait times. Kind of quiet for a Friday afternoon.
Hour 8: We all met up again to go to the Annual Passholder Preview of Mickey and the Magical Map - there were three that afternoon.
@disneygeekcom: Waiting for Mickey and the Magical Map annual passholder preview
Hour 9: At Plaza Inn the special food offering was Fried Chicken and Waffles - Mickey waffles!
Back over at DCA we used our Radiator Springs Racers fastpasses.
@disneygeekcom: Sulley out for pictures by his dorm
Hour 10: Lucky Fortune Cookery's Monstrous All-Nighter special was chicken and vegetable potstickers.
Hour 11: Time for the Pixar Play Parade. It now leads off with a Monsters University pep rally.
Sulley with the Fear Tech mascot - Archie the Scare Pig.
@JustJeanine: Hour 13 of #disney24 Genie: "Take your time Al--the park's open 24hrs."
Hour 14: @disneygeekcom: Main Street is nice and crowded now
@disneygeekcom: One last look at the #Disneyland wait board before heading out.
@JustJeanine: Hour 15 of #disney24 Crowded, but nothing a mint julep and Fantasmic! can't ameliorate.…
JustJeanine: Hour 17 of #disney24 Swing is back in style at the Carnation Garden Plaza.
@JustJeanine: Hour 19 of #disney24 Cartoons in Toontown! #justgothappier @ Mickey's Toontown
@JustJeanine: Hour #21 of #disney24 I'm not dead yet.
@JustJeanine: Hour 22 of #Disney24 Have the whole boat to myself.
@JustJeanine: Hour 23 of #disney24 Almost there... #justgothappier @ Peter Pan's Flight
@JustJeanine: Hour 24 of #disney24 All Good Things Must End... @ Sleeping Beauty Castle
@JustJeanine: Now's the time to say goodbye... #disney24 #justgothappier @ Disneyland Railroad, Main St. Station
Earlier this year, the Anaheim Convention Center played host to WonderCon--a smaller sibling to the gargantuan San Diego Comic Con.
While there wasn't a huge Disney presence in either the Exhibitor's Hall or the panel presentations, there was the usual abundance of costumes and cosplayers out and about.
Guillermo del Toro, still said to be connected to a future Haunted Mansion film for Disney, was there presenting a newly-cut trailer for his newest film, Pacific Rim.
Although it's tough not to get behind giant robots battling alien dinosaurs, I might be the only one wanting to see it just to hear the voice of GLaDOS from the Portal video games.
Even in the Trek Nation panel, it was possible to find hints of Disney, if you knew where to look.
Of course, Disney's grandest new acquisition was well-represented in costumes and booths and build-your-own construction projects and pretty much anything else you could imagine.
Some familiar Disney creators were also out in force, such as The Avengers' Joss Whedon, promoting his new independent film Much Ado About Nothing.
Also in attendance was Once Upon A Time writer Jane Espenson, on panels for both Buffy Season Nine and her internet series Husbands.
If finding characters for photo opportunities was too hard at Disneyland, guests had only to walk down the block to find a plethora of costumed folk from properties as recent as Wreck-it Ralph...
...and its Academy-award winning accompanying short, Paperman.
While WonderCon is historically held in San Francisco, recent renovations being done to their convention center have necessitated its move down south for last year and this year. It is unknown as to whether it will stay in Anaheim next year, or return to San Francisco.
On March 12th, Disneyland's latest addition will open to the public: Fantasy Faire.
Taking the place of the former Carnation Plaza Gardens on the West side of the Hub, Fantasy Faire represents a small village attached to the castle. As a tribute to the structure it replaced, a crest with the plaza initials is found on one of the buildings.
The main structures awaiting the visiting guest are a stage venue, the Royal Theatre, and an area for princess encounters, the Royal Hall.
At the Royal Hall, a bevy of royals awaits you.
The princesses in situ will change periodically, with Belle and Snow White joining the lineup as space and time allow.
Over across the square, the Royal Theatre presents two different shows a day: Beauty and the Beast, and Tangled.
The shows are actually much more extensively produced than you'd expect if you've seen the recent Magic Kingdom attraction Enchanted Tales with Belle--even including a live pianist, Sir Samuel.
Far from being just a rote retelling of the familiar stories, they have more of a minstrel show quality about them with virtually all roles portrayed by the two main performers Mr. Smythe and Mr. Jones.
Done in a style similar to that of The Reduced Shakespeare Company, the two actors are joined by the heroine (and sometimes the hero) of the piece and combine their knowledge of theatrical representation with her knowledge of her own story to tell the tale.
Fast-paced, with pop culture references to everything from Wizard of Oz to the Twilight Zone to the 1960's Batman series, the shows are entertaining and appropriate for all ages.
(Spoiler alert: Everyone deserving of it lives Happily Ever After.)
Here is some more inexpertly shot video by me, of some of the musical numbers from Tangled.
Out in the square, the architecture is intended to mirror the quasi-European Hodge-podge of the 1980's Fantasyland, with a few focal features:
An animated Figaro, from Pinocchio;
A crank music box inspired by Hunchback of Notre Dame;
And a "Tangled" maypole in the center, which will show Rapunzel's hair magically lighting up at night.
Should your visit with royalty inspire a desire for a new wardrobe, there is always the gift shop to peruse.
Within, you'll find everything a young girl needs to be a princess, assuming she provides her own stout heart and quick wit.
For people less enthused about cosplay, they can always take up the challenge to make the association between all the props on display and the movies they each reference (hint: As far as I know, the winged lion is just a winged lion.)
The cuckoo clock inside is stopped at a very particular time: 3:12, which is, of course, Fantasy Faire's opening date.
Hungry? Belle's Dad Maurice has you covered with a wagon that sells sweet and savory twisted (tangled?) pastries and the regulation specialty drink Boysen Apple Freeze.
I myself had the cheddar garlic bagel twist. By and large, I think if you enjoy the cheddar pretzels you might get at Wetzel's Pretzels, there's no reason to think you wouldn't enjoy this. The freeze was perfectly fine as well, although pretty sweet from my standpoint.
To give us even more insight into the making of Fantasy Faire, here are some thoughts from some of the creative folks that brought it into being:
In short, this is a carefully constructed area designed to provide people with increased access to some of the Disney princesses. Clearly a lot of care has been put into a lot of details which many will no doubt find delightful. There is, of course, a distinct population that was very attached to Carnation Gardens and the swing dancing that used to occur there--for them, the floor of the Royal Theatre looks to be unchanged from before, with removable benches and carpets laid down for each show. Consequently, the option does exist for them to reinstate the swing dancing/concerts there should the management decide to do so, but for now, the plans remain to keep it in Downtown Disney while Fantasy Faire establishes itself.
Annual Passholder previews take place this week, March 7-9, and Fantasy Faire opens to the general public March 12.
D23′s Disney Fanniversary Celebration 2013--Coming to a Town Near You!
March 1st marked the kick-off for D23's second annual Fanniversary Celebration at the Walt Disney Studios in Burbank.
Disney Geek host Billy Stanek and Walt Disney Archives’ Justin Arthur were the hosts for the evening, which was once again a fun commemoration of various important milestones for the Disney Company.
Among the anniversarys being celebrated were the Walt Disney Company's formation 90 years ago; Mickey and Minnie Mouse's 85th birthday; Saludos Amigos' 70th; Peter Pan's 60th; Walt Disney's Enchanted Tiki Room's 50th; Tokyo Disneyland, Disney Channel, New Fantasyland at Disneyland, and Horizon's 30th; Who Framed Roger Rabbit's 25th; Nightmare Before Christmas' 20th; and Animal Kingdom's 15th.
Photographs and video recording were prohibited during the presentation, which included never-or-rarely seen photos of concept art, video interviews, and documentary footage. Each location will also get an opportunity to get up and personal with an item from the Archive's treasures--at our night, we were able to examine a gaucho doll made to resemble Walt Disney during the making of Saludos Amigos (securely held by Justin Arthur.)
In addition to their trademark button, D23 members were also given full-color Academy promotional brochures on Disney's latest Oscar nominees, Brave, Wreck-It Ralph, and Frankenweenie.
For fans in cities not located conveniently near Los Angeles, where D23 holds the lion's share of their events, the Fanniversary is a great opportunity to get a Cliff's Notes version of the sort of material they typically cover at their larger affairs. When asked what he thought would draw in people new to D23, Billy Stanek said he felt they would enjoy seeing some of the never-before-seen video, particularly some of the scratch footage done for Who Framed Roger Rabbit, which can currently only be viewed at this traveling show. If you enjoy learning about the history of all facets of the Disney Company--from parks to the Disney Channel to feature films--be sure to catch this entertaining show when it rolls into town.
One of the very first events I covered for AllEars on my own was the return of Captain EO to Disneyland's Tomorrowland. I figured I was just going to take a few photos, see the movie, and listen to presentations--instead it turned out to be pretty much solely interview opportunities, which I found paralyzingly intimidating. To compound the situation, the interviews included one with Tony Baxter--TONY BAXTER! The Senior Vice President, Creative Development, Walt Disney Imagineering Tony Baxter! The guy who did Big Thunder! Splash Mountain! Star Tours! Indiana Jones! The 1983 redo of Fantasyland! Disneyland Paris, for gosh sakes!
While it's beyond my capabilities to give his work with WDI the overview and historical context it deserves, I can say that having started early enough to benefit from working with some of Walt's original Imagineers and having stayed late enough to mentor today's up-and-coming Imagineers, he served as a valuable bridging point. He was able to incorporate the integrity of the older ideals and values as regards Disney's entertainment aspirations with newer technology and methodology to create projects that had both depth and breadth of appeal. Even in times when it seemed others in the company had abandoned all other concerns for the quickest way to cash out, he represented a force that pushed for quality and the Disney Difference which, in the end, is really why I'm here writing (and presumably you're here reading) about Disneyland and not Six Flags.
One of the events where he featured prominently was at last year's 20th Anniversary celebration at Disneyland Paris, where he gave talks to both the NFFC group specifically, and to the park in general.
Even more recently, at the last Destination D, he was part of a presentation on some of the original WDI members who worked on the parks, as well as a group interview afterwards, addressing some of the modern-day frustrations today's designers face.
While I certainly don't know him personally, I did have the chance to meet and interview him again a few times more over the years, and he never ceased to be as kind and thoughtful to even the hundredth person looking for a signature as he was back at Captain EO.
How Disney will adapt to his absence remains to be seen--I can only hope that they take his espoused philosophies to heart and use them to continue to create the type of attractions that are as meaningful and relevant to future generations as the ones Mr. Baxter gave us. For Mr. Baxter himself, it seems hardly necessary to wish someone luck who has the talent and passion he's always displayed with WDI. Perhaps instead we can simply say "have fun, and come back soon."
Over at the always informative/entertaining blog Progress City USA, D23's Michael Crawford has his own tribute to Tony Baxter, in which he says he will pass on any comments to Tony Baxter. If you have any well-wishes to express to him, I encourage you to check out http://progresscityusa.com/2013/02/04/full-steam-ahead-mr-baxter/ and leave them there.
January 11, The El Capitan Theatre opened their limited engagement of the Disney classic Peter Pan.
To mark the occasion, they had a live panel of folks involved with the making of the film, moderated by noted film critic Leonard Maltin.
Making up the panel were Ted Thomas, son of legendary animator Frank Thomas; Margaret Kerry, live reference model for Tinker Bell; and Kathryn Beaumont, voice actress for Wendy.
Each panelist subsequently told a number of anecdotes about their recollections of the film-making process. Beaumont remembered how accessible Walt Disney was--how she would see him walking the hallway or waiting in line at the cafeteria, just like all the other team members. At the time, they were still recording the voices with the actors together, which she remembered being much more conducive to dynamic reads. She was particularly excited to find herself recording with Hans Conried, the voice of Mr. Darling/Captain Hook, as she was a big fan of his from his radio work.
The always-irrepressible Kerry discussed the persistence of the (false) rumor that Marilyn Monroe was actually the physical model for Tinker Bell, and the joy she found in doing the voice (as well as the body) of the red-headed mermaid--which led her to pursue other voice work in her career.
Thomas recollected his father at the time of the making of the film, and how he was assigned to animate mostly villains after the war, leading to him designing Captain Hook. Between performing all night each night with the Firehouse Five Plus Two at the Mocambo in Hollywood and an eight-week bout with pneumonia, he eventually hit on the combination of menace-with-elevated-self-image that embodies the Captain Hook we have today.
To finish the panel, we were then treated to a teaser trailer of Thomas' new documentary "Growing Up With the Nine Old Men," in which he catches up with the other animators' children and they discuss their shared experiences. It looks fascinating, and will be included on the upcoming DVD release.
The next part in the program was a short pre-show with Jake, from Jake and the Neverland Pirates, which was then followed by a never-before-seen episode from the show.
So then the feature presentation played, and wow, but it looks great. Between the fantastic line drawing and the Mary-Blair inspired backgrounds, there is absolutely no surprise that it is such a classic. The animation is meticulous to the point that each character--even secondary ones like Mrs. Darling--are so well developed that there isn't a frame they're on screen, when you cannot look at their faces and tell instantly what they are thinking, and what their point of view is. If you haven't seen Peter Pan in its entirety before (full admission: I had not. Don't ask.) you owe it to yourself to see it on the big screen because it is a masterwork of a type of animation that simply isn't done anymore.
Once the movie is over, your experience continues with photo-ops in the lobby.
Next door in the Disney Soda Fountain and Studio Store, there is a variety of food-related experiences to partake in--a character breakfast with Jake and a specialty sundae--that tie in with the movie. There is also a plethora of merchandise to purchase, enabling you to take the magic home.
Peter Pan runs multiple times a day at the El Capitan Theatre until February 7, 2013. For more information, please see http://elcapitan.go.com/
The Golden Horseshoe: Magically Back for a Limited Time
Disneyland's Year of Limited Time Magic continues this week with the start of "A Salute to the Golden Horseshoe Revue."
While the show plays gratis throughout the day, the last show of the evening at 6:30pm currently plays only to Annual Passholders who have purchased a ticket in advance. The price is $35, and includes a box dinner, mint juleps, a souvenir mug, a CD, and the chance to not have to make a mad Pamplona bull run rush over to the podium for tickets in the morning.
Seating is at shared tables--if you're not there with a party of four or more, you should probably be prepared to make new friends. Possibly close ones, if you end up at one of the packed-in tables in the center of the bottom floor.
Last night being the opening evening, even Disneyland President/soon-to-be WDW President George Kalogridis was in attendance.
The food was actually better than it had initially sounded to me--roast beef and ham sliders, with sides of potato salad, carrot salad, and berries, in trays similar to the ones used for the World of Color picnics. The sandwiches were pretty filling with condiments of honey mustard and horseradish sauce (packed in fairly tricky-to-open containers--I saw at least one commit suicide from the balcony in front of me) and the various salads gave a nice variety of flavors.
But let's be real: The main reason you're going is for the souvenir boot mug filled with Fritos. Oh, they may tell you those are generic "corn chips," but you and I both know the Frito Kid had Klondike mine those Fritos just for us, as in the days of Frontierland yore: http://angryjim.com/fritokid/
The show's MC is Miss Lily, taking over from Slue-Foot Sue, and it's basically twenty minutes of fairly rambunctious song and dance, along with a lengthy segment where Miss Lily roams the floor searching for a fella. If you are the sort of audience member that prefers to watch without participation, maybe don't sit in the front or on the aisles.
I think the only quibble anyone had about the show was wanting it to be longer--the original show, which can be found on YouTube, seemed more like 45 minutes. All of the Wally Boag material was cut, which seems like a missed opportunity, given that we were able to see one of Boag's successors in the show do a bit last year at the True Legends of the Golden Horseshoe tribute (I blogged about it here: http://land.allears.net/blogs/lauragilbreath/2011/09/ready_true_legends_of_the_gold_1.html )
Here, in an inexpertly shot video by me, are some of the highlights of this charming show:
As the show ended, they handed out small cakes with a photo of Walt and Lillian's 30th Anniversary party at the Golden Horseshoe printed on the top.
Then, for an extra surprise, they also gave out CD copies of the old LP "Slue-Foot Sue's Golden Horseshoe Review," printed complete with original album art.
The show itself (understandably, given it was the first day for it) seemed a little technically rough--some of the audio seemed occasionally hard to make out from where I was sitting and some of the performers were placed so as to block some of the stage view from the sides--but nothing that probably won't be ironed out after the first week. While initially, I had thought that $35 seemed a little pricey for a sandwich, I really thought that this particular AP event had enough special touches that it was very worthwhile.
With the recent high increases in the costs of the Disneyland annual passes, and the frankly underwhelming recent local discount offer, bringing back a nostalgic favorite like the Golden Horseshoe really goes a long way towards combating the creeping feeling that money, more than magic, is the main concern of the park.
Walking out of the park after closing, with a mint julep in one hand, and a bootful of Fritos in the other? Well, perhaps you still can find some happiness in this harsh world...and magic, too--even if it's only for a limited time.
The twenty minute show plays multiple times throughout the park's operating hours, and same-day reservations can be made in person, at the Saloon.
From January 4-6, 2013, Disneyland Resort will be celebrating the Latin American holiday "Dia de los Reyes Magos", or Three Kings day.
In case you lack familiarity with the holiday, Disney describes it thusly:
"Dia de Reyes, also known as Three Kings Day, is a festive holiday celebrated on January 6. From generation to generation, the people of Spain, Mexico, Central America, and Puerto Rico have enjoyed a rich cultural tradition of celebrating this popular holiday. Iconic symbols, time-honored traditions, scenic displays and children's activities play an important part in this festive occasion within the Hispanic cultures."
"According to tradition, the Three Kings or los Reyes Magos (Melchior, Gaspar, and Balthazar) traveled by camel to follow the star of Bethlehem, bringing precious gifts with them. In many Latin American countries, children leave their shoes outside and fill them with hay for the animals, hoping to find surprises and gifts the next day from the Three Kings. Rosca de Reyes (Kings Cake) is a crown-shaped, lightly sweetened bread decorated with jewel-like candied fruit and is a traditional Three Kings Day holiday treat."
Children's activities will be ongoing, with bilingual hosts participating in face-painting, coloring, and crown decorating, all taking place in the Big Thunder Ranch Jamboree.
Live entertainment will be presented, including the Mariachi Divas and a variety of local folklorico ballet troupes and musicians.
Opportunities will be presented for guests to meet and greet Mickey and Minnie in "Fiesta" costumes, as well as The Three Caballeros, Donald Duck, Jose Carioca, and Panchito.
AllEars' own Laura Gilbreath was on hand to chat with Claudia Erdogan and Andrae Gill from Global Marketing about a variety of topics, including the Three Kings celebration and the year-long Limited Time Magic campaign.
She also spoke with Chef Martha who made one of the Buñuelo desserts that will be served at Rancho del Zocalo, and spoke about the other special holiday food offerings. (Laura tried it afterward and said it was delicious.)
So if you're interested in celebrating this holiday with the Three Kings and the Three Caballeros, come on down to the Big Thunder Ranch Jamboree in Frontierland this weekend--Limited Time Magic only!
"Destination: Cars Land" Makes Its Way to Pasadena
After a several-year absence from the famous New Year's Day Rose Parade in Pasadena, Disneyland Resort returns with a spectacular float celebrating its new Cars Land expansion.
Measuring in at over 125 feet long, the float is constructed in two parts. The first half leads with a floral depiction of the big Cars Land sign, and then goes on to show ride vehicles from Mater’s Junkyard Jamboree and Luigi’s Flying Tires.
Bradley Kaye, Senior Designer with Disney Creative Entertainment, spoke on how all the designs were carefully scrutinized to be as true and detailed as possible to the actual structures, given the limitations inherent in floral construction.
As an example, while the Flo's V8 Cafe sign is actually teal-colored, that shade fails to appear in Nature. The resulting green compromise was signed-off on by Pixar who worked in conjunction with Disney to make the float a good representation of the land.
Up top, Lightning McQueen and Sally will be racing through Radiator Springs. McQueen is covered with the components of some 2,000 carnations.
Meanwhile in the back half, platforms will be present for entertainers to perform amidst a recreation of the Radiator Springs mountain range complete with iconic rockwork.
Actual cacti from Cars Land will be placed on the float, and every surface will be decorated, including the myriad of hubcaps.
Up top, Guido and Luigi cheer on miniature cars racing around the Radiator Springs Racers track.
On hand to help out was René Torrico, 2012 Disneyland Ambassador
...and Social Media and Print Manager, Erin Glover.
Finally, Randy Wojcik, Senior Show Director of Disney Creative Entertainment, was kind enough to say a few words for us on his experience developing the float.
This year's Rose Parade is scheduled to run at 8AM, January 1, 2013 in Pasadena. The theme is "Oh, The Places You'll Go," and clearly one of those places for the next year should be Cars Land.
If you haven't had a chance to take a look at it already, AllEars put a slideshow out last week showcasing many of the beautiful seasonal sights around DCA.
For my Christmas offering this year, I'm presenting a handful of video clips of some of my favorite celebrities I've seen performing in the parks this season.
First up is Neil Patrick Harris (How I Met Your Mother, Dr. Horrible, Harold & Kumar,) doing the introduction to the Candlelight Processional, as it is performed in EPCOT.
The next clip is a little bit of a departure, as it actually comes from Universal Studios Hollywood. As part of their "Grinchmas" celebration, they had different celebrities each day for their Grinchmas Tree lighting.
The narrator here is Raphael Sbarge, who currently plays Archie Hopper/Jiminy Cricket on the Disney-owned hit series, Once Upon A Time.
Finally, we'll close with John Stamos (Full House, ER,) concluding his evening performance at Candlelight Processional, this time at Disneyland.
As we cross the finish line this week into Christmas, I'll join my holiday wishes to Stamos'. From the West Coast to the East Coast, and all points within and without, the Merriest of Seasons, everyone.
Now that Halloween's out of the way, the Disneyland Resort has begun its full swing into the Christmas Holidays.
This week, David Caranci, Manager of Resort Enhancement at the Disneyland Resort, gave us a quick walking tour of the all the new holiday decorations abounding in Buena Vista Street (BVS) and Cars Land.
The main goals they had when designing the decorations for BVS (a process that started some eighteen months ago,) were to be accurate to the time period and to hide the existing infrastructure. Because the era overlaps with the Great Depression, they reasoned people would be decorating with a degree of restraint dictated by the economy.
The garlands on the buildings are brand-new cedar garlands they had made for them, with a seven year life expectancy.
Pretty much all their ornamentation was custom made for DCA--the Mission Bells and even the wrapping paper. A distinct effort was made to make the decor here stand out from anything that would be found at the other Disney parks, and Disneyland in particular, to avoid having guests feel that they had already seen it all on the other side of the Esplanade.
One particularly cute display series shows Silly Symphony scenes in a pop-up book fashion.
The tree decorations were similarly custom designed, the ideas from which came in large part from everyone on the team polling their grandmothers about their trees. The tinsel garlands have apparently never been done before at Disneyland.
Around the bottom of the tree are many Walt references, including a replica of the train Walt took to Los Angeles, and the Carolwood Barn, along with re-manufactured toys from the 30's.
Meanwhile, over in Elias and Co, a genuine department store Santa holds court.
Surrounding the tops of the displays inside the store are storybook depictions of "A Night Before Christmas," which continue outside on the storefront windows, as well.
Inside Carthay Circle, a miniature Seven Dwarves gingerbread cottage sits inconspicuously in the lounge area.
As far as the holiday musical loops, Caranci said they worked closely with both WDI and Pixar who each had approval over the music in BVS and Cars Land, respectively.
Speaking of Cars Land, Caranci talked about the process they went through to come up with holiday concepts that Pixar (and John Lasseter in particular) would sign off on. The first pass they made was rejected on the basis that it looked like what humans would do to decorate Route 66--Pixar wanted it to look as it would if the cars themselves were in charge of the decorating.
While they had many different iterations of Snowy the Snow Car, the final one seems to be a success, as people line up to take photos with it day and night.
Each car's area has a different tree, suited to their distinct personalities. Fillmore has the only car angel, fitting his hobby of making lawn art.
Sarge has "Fourth of July times ten," with thousands of lights hidden under a scrim during the daylight--a huge improvement over the construction-zone look of the Streets of America under the Osborne Lights wiring each year.
Over at the Cozy Cones, Sally has a whole gingerbread replica of the Cozy Cones Motel inside the lobby...
...While Flo decorates the stacks of oil cans she stocks for hungry cars.
Stanley got a carefully-sculpted santa hat and sack for the season, while the tree next to him was inspired by one Lasseter saw and liked out on Route 66.
While that certainly only represents a small fraction of the holiday touches adorning DCA, it was then time for us to regroup down at "it's a small world," where Marine Corps. Staff Sergeant Mark Plummer and family were to flip the switch and officially start "it's a small world" Holiday for the season. Disneyland Ambassador Jolie Hales was on hand to officiate.
Of course, if you want to see really good photos of the holidays at Disneyland, I advise everyone to check out Jason's photo blogs both here and at his site, disneygeek.com
I'm sure we'll have more to share from the parks as the season progresses, but Disneyland and DCA look to be off to a jubilant start to the Holidays.
On October 8, 2012, Disneyland once again chose a new Ambassador Team for the 2013-2014 years.
In a brief ceremony in the Sleeping Beauty Castle Forecourt, current Disneyland Ambassadors Jolie Hales and René Torrico recounted some highlights of their past two years and prepared to hand off their positions.
After a short character-filled musical number, George Kalogridis, president of the Disneyland Resort, commended the present Ambassadorial team, and the Cast Member finalists were presented.
After each finalist had an opportunity to recount one of their special memories of Disneyland, Kalogridis announced Sachiko White and Megan Navarette as the new Disneyland Resort Ambassadors in a blast of confetti.
Having been picked from a pool of nearly 80 applicants, the two women from the Entertainment Division will spend the next two years as representatives and spokespeople for the resort, meeting dignitaries and VIPs, along with participating in various community outreach activities.
After photos, the two took their traditional fire truck drive down Main St.
The new team clearly has an exciting couple of years ahead for them. We congratulate White and Navarette, and look forward to seeing more of them throughout the next two years!
So now that we're (sadly) finished with one more Destination D, it's time for a look back on some of the outstanding moments in my memory.
I have to confess, when they had all the dancers/fans rush out in flash mob fashion to dance around to traditional music mixed with that oddly synthetic hip hop beat overlay they like to use for all the shows nowadays, I had PTSD flashbacks to the Disney Dance Crew moments from the 2010 Destination D (“Drink up me gangstas, yo ho!”) This is not to take anything away from the performers, who were as exuberant as anyone could wish, but one of my pet peeves is the attempt to modernize tunes that were already really pretty good as they were. I am OK hearing music the way the Sherman Brothers wrote it, without having someone with a synthesizer go to town on it, and I would wonder how many people interested in 75 year old animated films might feel the same.
Fortunately, the first panel fulfilled all our yearnings for nostalgia by giving us insight into each of the "Nine Old Men" from guys who were actually there, working with them.
One interesting note Joe Hale gave us, was that the Nine Old Men originally resented the title a little, as they weren't really that old when it was given to them...but they grew into it.
A few of the panels, while still fascinating, didn't really yield entirely new information. If you saw, for example, Waking Sleeping Beauty, you already had a large amount of context for the talk on the second golden age of Disney animation. Similarly, if you had attended Comic-Con, you had already heard a lot of what they had to say about Wreck-it Ralph.
Paperman, however, presented by Producer Christina Reed and Supervising Animator Patrick Osborne, was entirely new and really a beautiful piece of work. Their new hybrid technique of animating faces in CG, removing parts and then redoing it in hand-drawn animation yielded a very clean-looking style that perfectly complimented the simple but oh-so affecting story. They said they would like to try a longer project with the same process, but still need to work out different aspects such as color, etc. Even if you weren't going to go see Wreck-it Ralph (which you should, because it looks great also,) Paperman is worth a trip to the cinema.
One of my absolute favorite panels brought three of the Imagineers responsible for Disneyland Paris (among other projects too numerous to mention) together to share stories and reminisce about their mentors in the company.
Tony Baxter spoke at length on his appreciation for Claude Coats' openness to the ideas of others, and his unflappable attitude towards the constantly changing nature of his projects--his faith that a given creation would ultimately be fine, although probably different from what he originally envisioned. His specialty was creating environments which were real, and which made good park rides.
Eddie Sotto gave a presentation on Herb Ryman--emphasizing his genius in placemaking and his insistence on research as an essential tool in grounding fantasy with elements of authenticity.
One part I found fascinating was when Sotto pointed out a pair of nuns Ryman drew for a movie storyboard...
...That seem to turn up in quite a variety of places...
It could be speculated that either Ryman was periodically placing them in the background of various renderings as an inside joke, or those two nuns wound up perpetually traveling the globe in their jeep.
The only negative about the panel was the time constraints--although the audience would happily have sat through a talk twice as long, it was clear that Tom Morris could have spoken longer about the two legends he knew personally, Marc Davis and John Hench.
Hopefully they'll have these guys back again soon...maybe for a Disneyland Paris event?
Of course the first concert of the weekend, Dick Van Dyke and the Vantastix, was wonderful. There isn't much to be said about Dick Van Dyke, except to hope that he keeps performing forever...which from the looks of him, seems entirely possible.
Among the many exciting panels of the next day, watching Andreas Deja effortlessly sketch out a number of his trademark characters was a definite highlight. Also: If you're the person who found this sketch under your seat? I hate you.
Any time you get a chance to hear from the Disney voice artists, it's always a good time--from the genial jocularity of Bill Farmer (Goofy,) to the gentle mannered tones of Lisa Davis (Anita,) to the...sounds...of Chris Sanders (Stitch.)
Davis recalled her casting as developing from a movie she did (Queen of Outer Space) with Zsa Zsa Gabor, who apparently proved to be a touch difficult, which led Davis to developing a satirical impression of her. Disney heard of this and thought it might be an interesting take on Cruella, and had her come in to read lines, while he read Anita. Quickly perceiving that she was much more Anita than Cruella, she suggested a switch and subsequently had a wonderful time preparing for the role by playing with puppies they brought in for her, in the Hyperion Bungalow.
An absolutely astounding moment was when Marge Champion was presented, as the original live-action reference model for Snow White.
Looking at her, there is no way you are going to think this woman is 93 years old. Clearly her years of activity as a dancer has stood her in good stead.
And then there was the grand finale, as Alan Menken brought it all home with a phenomenal concert. The raised seating in the back of the room was just lousy with Disney Legends, all out for a marvelous night.
(While sitting in the row in front of luminaries like Tony Baxter and Richard Sherman was good for photos, it became slightly terrifying as waves of adoring fans came racing over to greet them, clearly completely unconcerned if they had to stomp on your head to get to them, a la Gene Kelly's death in "What a Way to Go!")
Menken gave a great performance. I found that through the years, I've heard some of his songs from Mermaid or Beauty so frequently, that I actually ceased to pay attention to them anymore--they had just become part of the audio wallpaper of the parks. To really listen to them again was to remember just how good they are, and why they are played so frequently, even today.
In sum, it was a really fun weekend. The presentations that revolved mostly around video clips were a little problematic, because in this day of YouTube, it's hard to find footage to show that everyone doesn't have readily available to them...but it's always fun to see Back to Neverland or Song of the South on a big screen again.
Sunday was definitely lighter in programming than Saturday, and here's another pet peeve of mine: All throughout the show, they kept hammering at us that they listen to what everyone says, and scheduled fewer talks because people complained that they wanted more free time to socialize and use the facilities. Really? People want to pay that much for an event, and then more than anything, want to have free time? Even if they did, why wouldn't they just skip the panels in which they weren't interested? I would think that for a person who doesn't attend a presentation, there's no difference whether the content is scheduled or not--asking them not to schedule it only means no one else gets to see it. Why is it I can't see more stuff, just because you want three hours for dinner?
If the thought of waiting in lines forever at Expo gives you the vapors, but you still want to experience presentations on Disney past, present, and future, the Destination D series is a great option. You're guaranteed a seat, although people still line up for hours to jockey for location, so the stress level involved is much lower. The emphasis is on historical content however, so if you come expecting new and ground-breaking announcements about future projects, you're likely to be disappointed. For people who want to see and hear about the Legends--the creators who were there at the beginning of the Disney company, when animation was new, and theme parks were only a fool's dream--it's a treasure. A gift of lore and anecdotes from people whose pride in their work and their association with the company shines through even 20, 40...80 years later.
Don't take too long pondering over whether to attend the next one, however, because many people and their stories are gone already, and unfortunately none of us are getting any younger...with the possible exception of Dick Van Dyke and Marge Champion.
OK, a handful of hours later, and we're back for more, at day 2 of D23's Destination D!
The day started off with animation historian Jerry Beck and animator Eric Goldberg's presentation on Wacky and Wild Disney Animation. Many of the more surreal segments of animation (such as Pink Elephants on Parade) and some of the earlier Mickey Mouse cartoons, in which he was depicted as doing comically uncomfortable things to Minnie and barnyard animals.
Next up was animator Andreas Deja, who, in Drawing with Personality, showed examples of many famous animators' drawings and pointed out how their drawing styles evolved and what their strong points of design were. He then drew several drawings which were later given away by the time-old "taped under the seat" method, and asked the audience to draw Jafar as a child.
After a short break, we came back to Tinker Bell: The Evolution of a Disney Character. In this panel, animation historian Mindy Johnson introduced us to the creation and maturation of the Tinker Bell character, revealing her new discovery of Tinker Bell's facial model, former ink and paint girl Ginni Mack. They were joined by Tinker Bell's body model Margaret Kerry, and the voice actress and director of Tinker Bell's new movies, Mae Whitman and Peggy Holmes.
Following lunch, a star-studded panel awaited in Hearing Voices: A Salute to Disney Voice Artists--Kathryn Beaumont, voice of Alice and Wendy; Lisa Davis, voice of Anita in 101 Dalmatians; David Frankham, Sgt. Tibbs from 101 Dalmatians; Bruce Reitherman, Mowgli and Christopher Robin; Bill Farmer, Goofy; and Christ Sanders, voice of Stitch.
The last presentation of the day was Snow White: Still the Fairest of Them All. In celebrating the first animated feature that made all the rest possible, Tim O'Day presented Marge Champion, live-action model for Snow White, Alex Rannie, animated musical historian, and Gabriella Calicchio, recent CEO of The Walt Disney Family Museum .
But wait! It wasn't over yet! To top off all that had gone before, the weekend culminated in an amazing concert: An Evening With Alan Menken. Playing parts of various songs he wrote for Disney and non-Disney productions throughout his career, the songwriter and Disney Legend played piano and sang for over 100 minutes to a completely rapt audience. If you weren't there, man, I feel for you, because it was fabulous.
D23′s Destination D: 75 Years of Disney Animated Features: Day One
Another year has rolled around, bringing us once again to D23's Destination D weekend. This time out, the theme is celebrating 75 years of animated features with a plethora of panels discussing Disney animation of the Past, Present, and Future.
To welcome us in, Steven Clark, head of D23 gave a short address, which was then followed by a dancing flash mob.
When they finally concluded, a taped message from John Lasseter was played, pumping up the excitement for the upcoming weekend.
The first panel started off with memories of Walt and the First Golden Age of Disney Animation, with people who were actually there: Animator and Disney Legend Burny Mattinson, animator and producer Joe Hale, and documentary director/son of Disney Legend Frank Thomas, Ted Thomas.
Subsequently, came three panels during which all photography or recording were forbidden. The first was Roy E. Disney and the Second Golden Age of Disney Animation, in which Roy Patrick Disney, son of Roy E. Disney and former Imagineer; producer Don Hahn; animation producers John Musker and Ron Clements; and creative director/head of special projects Dave Bossert, discuss how Roy E. ultimately saved Disney Animation, and by extension, the company.
Upcoming animation projects were presented in the panel Inside Walt Disney Animation Studios Today.
One of the movies discussed was Wreck-It Ralph, the movie about a character's existential crisis, as experienced by a character in a video game.
Another was the work-in-progress Frozen, a contemporary musical film, loosely based on the Snow Queen. We were treated to a performance of one of the songs "Let it Go," which will be sung by Idina Menzel, from Wicked.
We were also given the first public screening of paperman, the new short film that will play before Wreck-it Ralph. It displays a new melding of CG and hand-drawn animation, in which the hand-drawn features are layered on top of CG renderings.
The next presentation, The Greatest Disney Animation You Never Saw, played videos that have been relatively scarce for some time. The preshow to the old Art of Animation attraction in then-MGM Studios, Back to Neverland, with Robin Williams and Walter Cronkite was one, along with footage from Song of the South.
Animating the Disney Parks was a terrific talk with the ever-entertaining Imagineering senior vice president Tony Baxter, talking about his mentor, legend Claude Coats; former Imagineer Eddie Sotto talking about his mentor, legend Herb Ryman; and Imagineering vice president of creative development Tom Morris discussing likewise legend Marc Davis and John Hench.
The evening closed out with a concert and screening: An Evening with Dick Van Dyke and the Vantastix, and a screening of the director's cut of Walt & El Grupo.
Dick Van Dyke is still amazingly spry for his 86 years, and if he occasionally has a senior moment during the performance (the song list of which was pretty similar to their performance at the Expo last year,) it detracts nothing from the enjoyment of the singing or his not-inconsiderable charm.
The documentary of Walt's goodwill trip to South America with his band of artistic talent is the product of Ted Thomas and producer Kuniko Okubo, and is a great look at all these famous Disney film makers when they were in their prime, and at the height of their talents.
Lights...Camera...Magic!: Hooray for Hollywood! Adventures by Disney
Recently Adventures by Disney invited AllEars to experience their newly-launched day tour, "Lights...Camera...Magic!" This trip takes guests from the Disneyland Resort, up through many sightseeing attractions in Hollywood and Beverly Hills, and ends with an exclusive tour of the Walt Disney Studios.
After an early-morning welcome in the lobby of the Grand Californian, our cheerful guides Hanneke and Natalia led us onto the bus, gave us bottles of water, and introduced us to our coach driver, Don Tate.
The guides are well-versed in the Disney Way, as they also work as VIP guides at Disneyland's Guest Services, and lead the week-long Backstage Magic tour as well.
As the bus started the long (often painfully slow) drive to Hollywood, we were entertained by cartoons playing on the overhead monitors, broken up with the guides occasionally pointing out different landmarks and discussing a variety of Hollywood triva.
After about 1 1/4 hr, we arrived in Hollywood. Welcome to the Dream Factory!
We disembarked at the Hollywood and Highland Center (belongings could be left on the bus) and walked through to get a good view of the famed Hollywood sign. In preparation for heading out onto Hollywood Blvd, we were told a little about the Walk of Fame (costs a mere $30k to get your star!) and cautioned about the people selling CDs and photos with off-brand characters.
One of the decorative elements of the Hollywood and Highland Center is the pair of large elephants referencing the DW Griffith film "Intolerance," and whose slightly smaller siblings used to be seen in DCA.
[At various points in the tour, we were treated to some special moments/gifts from the guides that were not mentioned in the official itinerary. In the interests of "keeping the magic" (and not raising expectations in case these change from tour to tour,) I'm glossing over those. Suffice to say, you are likely to take home some special souvenirs of your time in Tinseltown.]
Although we were right across the street from the Disney theater El Capitan, we were not taken over there. I thought this was an unusual choice--on the one hand, it seems likely that people who are at Disneyland and taking a Disney tour might have an interest in going there, and on the other hand, I was somewhat relieved that they were going for a more authentically-grounded tour and not just trying to detour tourists to their own properties.
We had an 11:00 appointment to tour the Dolby Theater (where the Academy Awards are held each year,) so that left us about 10 minutes to walk the half a block down to the Chinese Theater and take a few photos.
Depending on the date, there may be some event happening at the Dolby, in which case I believe they would substitute a tour of Grauman's Chinese Theater instead.
Inside the Dolby Theater, there were no photos or recording allowed. Our tour guide there, Gary, was really good at pointing out interesting design elements of the theater, and regaling us with anecdotes of the stars. I desperately wanted to ask him to say "...this is the perfect job for me, because I LOVE THE MOVIES!" but didn't have the nerve.
We walked through the lobby, saw the VIP lounge where the Dolby Oscar is kept on display, and got to sit in the members' area of the theater (currently being used for Cirque du Solei's show "Iris.") Later, we were shown some of the concept art for the fabulous Governor's Balls that are thrown each year, every time having a different theme.
After that was concluded, we reboarded the bus and Don took us on a narrated tour of Hollywood as we drove down the Sunset Strip to Beverly Hills, pointing out such landmarks as the Chateau Marmont, Whisky a Go-Go, and the Laugh Factory.
We eventually arrived at Beverly Hills. Can you smell the money?
Driving down Rodeo Drive, he pointed out many of the fine shopping establishments available, where a suit might set you back a mere $5k.
Turning down Wilshire, we arrived at the Original Farmer's Market at around 1pm, and were given a $15 gift certificate and 90 minutes to eat lunch. Depending on what sort of food you were looking for, this might easily cover the cost of your food, or be somewhat insufficient, given the wide variety of choices there.
Although the Farmer's Market is attached to the Grove shopping center, the gift certificates were only good at the Farmer's Market side. If you had time, you could of course wander over there, where Extra films each day, to try to catch a glimpse of a star.
The Farmer's Market is, of course, represented with facsimiles in both DCA and DHS.
At about 2:30pm, we met back at the bus and Don then drove us over to the Walt Disney Studios in Burbank. The drive took about an hour, during which we watched the Leonard Maltin tour of the Studios, as seen on the "Walt Disney Treasures - Behind the Scenes at the Walt Disney Studio" DVD.
Once there, we were given some historical background on the studios, and then shown around the exteriors of a lot of the main buildings.
We were also brought in to see the hallways of the Animation building, and the underground passageway featured in TV's "Alias."
A few minutes were allotted for us to shop in the Studios' store, where they have some merchandise exclusive to this location...
...after which we were able to take a quick look around the interior of Soundstage 2, where they are currently filming "Body of Proof." Note: If they are actually working there, the tour will not be able to go inside. In either case, photos inside are not permitted.
We then zipped inside the Frank Wells building for a quick look at the exterior displays around the Archives.
Following that, we headed over to the Legends Plaza, where there was time to take photos with the beautiful Blaine Gibson statues and have some refreshments.
Adult beverages along with some custom-made cupcakes and hors d’œuvres were served as we perused all the handprints of the many extraordinary individuals that combined their efforts and talents to produce all the Disney creations we enjoy.
Finally, about 6pm, it was time for us to regretfully clamber back onto the bus, where Don braved the rush hour traffic to deliver us safely back at the Grand Californian.
Is the tour worth it? Always a subjective judgement, however there's a lot to like about this tour. I hate driving in the Hollywood traffic more than just about anything except paying for parking, so to have someone else deal with that is worth quite a bit. Every time you get on the bus, they have cold bottled water available for you, and virtually every time you get off, they have a restroom stop located nearby. It's not a cheap tour, and is definitely targeted towards the luxury travel market, however they do a great job of making the whole sightseeing affair hassle-free.
There is a fair amount of walking on the tour, particularly up and down staircases in the theater tour and throughout Hollywood and Highland--not strenuous by most people's standards, but considerable if walking is typically a chore for you. There's also a considerable amount of time on the bus, between driving to and from Hollywood, Beverly Hills, and Burbank--probably around five hours in total. When the tour started, they included dinner at Gladstone's in Malibu in lieu of the reception in the Legends Plaza, but switched it out because it added probably another couple of hours of driving onto the day.
Another useful aspect to the tour is that, for families considering longer ABD tours, this can be your gateway trip, to see if traveling with Disney is for you. Chances are however, for the Disney lover, the answer will be an expensive "yes."
The pricing on the tours is $199/$189 for Adults and Children, with a $10 AP discount. The tours started this year, in January, and are given three times a week, currently Tuesday, Thursday, and Friday.
San Diego Comic-Con 2012: Now With Even More People, Part 2.
So another panel I attended was on TRON: Uprising--the new animated series based on the popular Tron universe.
Taking place temporally between the original TRON film and the recent TRON: Legacy, the show promises to fill in the events that led up to the changed situation Sam finds on the Grid, and the metamorphosis of Tron himself.
The panel was moderated by Variety Film Editor Josh Dickey, and included Creator Charlie Bean, Producers Edward Kitsis and Adam Horowitz, voice actors Elijah Wood (Beck), Bruce Boxleitner (Tron), Tricia Helfer (The Grid), Art Designer Alberto Nielgo and Lead Character Designer Rob Valley.
They answered some brief questions about how they liked the TRON movies and came up with the new voices for the series, and then showed clips from an upcoming episode hinting at the eventual corruption of Tron. When asked if Wood's new character would be added to the film series, they could only say that a sequel to TRON: Legacy is currently in the works.
Subsequently, they raffled off some signed light discs, which Boxleitner threatened to send by...direct methods.
TRON: Uprising plays on the Disney XD channel.
Finally, the last big Disney property I saw being represented was the highly anticipated "Epic Mickey 2: The Power of Two" video game.
[I actually already covered some of the game information/mechanics as was displayed at the E3 Conference earlier this year: My E3 Blog.]
Representing Disney and Junction Point (the game development company headed by Warren Spector and now part of Disney Interactive Studios,) were DC and Marvel comic book writer Marv Wolfman, game designer Warren Spector, Director of the Walt Disney Archives Becky Cline, and veteran comic book writer Peter David.
As the panel began, all the members were presented with their very own embroidered Oswald ears, which they wore with varying degrees of pride and chagrin.
They started off by showing their opening video, setting up the game and showing off some of its immediate differences from Epic Mickey 1. (ALL TALKING! ALL SINGING!)
Some of the introduced themes: Does everyone (the Mad Doctor) have the possibility of redemption? Or is some evil too profound to be redeemed?
Choices in the game also have a bigger impact as changes you make to the game environment, constructive (paint) or destructive (thinner,) have persistence and long-ranging consequences for the course of your story. They estimate the game may take something like 10-15 hours to complete (or half a year, if you're as bad at platforming as I am,) but that you have to play it three times to see everything.
Cline went over the story of Walt Disney losing Oswald to his distributor, Charles Muntz, as depicted online in Prominent Oswaldologist Morgan Ditta's video "Oswald's Story."
There was, of course, a happy ending 80 years later, in real life, as Bob Iger traded sportscaster Al Michaels to NBC for the rights to Oswald. Peter David: "So you're saying we almost sat here wearing Al Michaels ears?!"
Wolfman spoke briefly about how amazing he found it, being the person to write Oswald's first spoken dialogue in 80 years. "...I don't know how a mouse and a rabbit are brothers..." Spector interjected "...and he has a cat girlfriend!" "...but you accept it, because they also wear pants."
David then described the graphic novel he's writing which tells a number of tales about the Wasteland and Oswald, and which should be out around the same time as the game (November 18.)
There will also be a Nintendo 3DS version of the game with an entirely different narrative, and numerous 16-bit gaming tributes, including references to "Castle of Illusion Starring Mickey Mouse"
They ended by emphasizing that they've tried to follow John Lasseter's advice to them, to make games for everyone, as Pixar strives to make movies for everyone. Spector also remarked that virtually everything in the game is inspired or references something real from Disney history, and that he's waiting for a fan to make a definitive list for them, because they don't have one.
This is my country! Land of my birth!
This is my country! Grandest on earth!
It is amazing to think that over half of the year has passed by, and we've already seen the launching of a new cruise ship, the opening of a new resort, the 20th anniversary of one Disney park, and the rebirth of another.
What difference if I hail from North or South
Or from the East or West?
With so much more to come for the rest of the year, it's fitting, perhaps, to take a day to reflect on exactly how fortunate so many of us are, to be able to be at this place, in this time; in a country that, although it certainly has its plethora of problems, was founded on principles of freedom and equality--principles I feel sure were intended to be extended to all, regardless of wealth, or color, or location, or inclination.
Tomorrow, we can continue to fight and argue about all the socioeconomic tragedies that are as much a part of America as its victories. For today? Happy Independence Day.
This is my country! Land of my choice!
This is my country! Hear my proud voice!
I pledge thee my allegiance, America, the bold,
For this is my country! To have and to hold.
[This, and many more great Disneyland videos by Fantasmiceddie24 can be found on YouTube.]
D23 Presents: Treasures of the Walt Disney Archives at the Ronald Reagan Presidential Library and Museum.
Jeanine Yamanaka and Jason team up for this tour of the Treasures of the Walt Disney Archives at the Ronald Reagan Presidential Library and Museum.
Contributing photographer Jason of disneygeek.com sends us these photos from his trip to the Reagan Library on Saturday, June 30, 2012.
Jeanine here--I also attended, and will be putting in my oar occasionally, between Jason's great photos.
This afternoon we had a great opportunity to preview the upcoming D23 Presents Treasures of the Walt Disney Archives at the Reagan Library.
For those that do not know, the Reagan Library is located in Simi Valley which is about 45 minutes from Downtown Los Angeles.
Jason got the easy drive this time--anyone coming from the Disneyland area probably has a minimum of a two hour trip each way, assuming you don't hit a lot of traffic.
Once the group had assembled we made our way through the museum entrance and then cut over to the Disney exhibit.
Time to head in. We had just under 2 hours to walk and photograph the exhibit. Which may sound like a lot but in reality it was not. The exhibit covers over 12,000 square feet featuring over 500 items.
Before having free roam a brief introduction. In the center of this picture (sorry for the darkness no flash allowed in this first room) is John Heubusch the executive director of the Ronald Reagan Presidential Foundation.
Photography and video were permitted throughout the exhibit, with a restriction on flash photography in the first gallery.
Steven Clark the Head of D23 was also on hand to welcome us.
I thought it was appropriate to start at the beginning. Here is Walt's birth certificate.
Skipping ahead to Walt's Laugh O Gram Business.
A look at Oswald the Lucky Rabbit.
A couple of telegrams about Oswald.
So here's one of mine, showing the end of the telegraph and Walt's reply. What I love about this exchange is that a) you can totally see what a jerk Mintz is, and the foreshadowing of his grab for Walt's business, and b) how reasonable Walt is trying to be, up to the end, where he clearly can't take any more of Mintz's lame suggestions, and just says "forget the monocle."
The next case had the animation script for Steamboat Willie.
Drawings by Ub Iwerks, typing by Walt Disney.
As well as some Brave Little Tailor sketches.
The next room featured an animators desk.
How is this for a collection of books.. these are the restored handmade books from the opening shots of Snow White, Cinderella and Sleeping Beauty.
Across the way a wall featuring the famous drawing of Disneyland.
So I can't even tell you how much I love this map. It is unbelievably detailed and huge and gorgeous, and you can't even imagine that Herb Ryman drew this thing in a weekend. If you look closely at it, you can see tiny ducklings wandering around in the Jungle Cruise, and boys rolling hoops down Main Street.
I'm not saying contemporary concept art is bad, but as the farmer said to the chickens, when he showed them the ostrich egg, "you can see what kind of work is being done elsewhere."
Walt's Formal Office has been recreated. This time to the exact dimensions and arrangements (unlike the version we saw at Disneyland for years).
The original Model T from the Absent Minded Professor.
One of my favorite galleries was right after this--the "Magic Room." It had an abundance of props and memorabilia from The Shaggy Dog and Bedknobs and Broomsticks, including a prop portrait thought to be done by Herb Ryman, and Tommy Kirk's magical ring of the Borgias!
Might there be a hidden but familiar item in Emelius Browne's display? You'll have to go to find out.
Babes in Toyland
After this first set of rooms upstairs you head down stairs and into an expanded area that was constructed just for this exhibit. They actually cut a whole in the wall of the library to build this extension that sits in a tent structure.
In this axillary area, are most of the larger set pieces, from mostly contemporary properties.
To the right, 101 Dalmatians costumes and props.
Next a series of cases with the costumes worn in the Annie Leibovitz pictures.
This Tinkerbell worn by Tina Fey.
And Peter Pan by Mikhail Baryshnikov
A large gallery includes a number of costumes from a variety of recent movie/TV/theater productions.
The other side had some Enchanted costumes, and one from the Fairy Godmother in the 1997 ABC TV movie worn by Whitney Houston.
Moving on some Marquettes used for Alice in Wonderland.
Around the corner props and costumes from the film.
Next up Tron.. this is from Tron Legacy.
Thought this was interesting... not from the film but from DCA...
Both the lightcycle and the big lit "FLYNN" sign are from the lately departed ElecTRONica event there.
Some of the original Tron costumes from the 1982 film.
Next up the Avengers.
These would probably have held more significance for us, except that Jason and I are probably the last two people in America who have not yet seen the Avengers...
The next area has some Theme Park items..
This was apparently the start of the area themed to "things from the Island of Downsized Attractions."
Thought this was an interesting corner.. the dragon head from Fantasmic, Mickey from the Mickey Mouse Revue and in the background a Country Bears poster.
From the original Golden Horseshoe show and the Country Bears at Disneyland.
One of Slue Foot Sue's original costumes.
Next up a Haunted Mansion display featuring mostly items from Walt Disney World.
The tombstones chosen for display are the ones for Yale Gracey, X. Atencio, and Marc Davis.
The center area was for Pirates.. starting where it all began with the attraction.
Then moving quickly into the film.
This rounds out the lower level.. time to head back upstairs.
The next room was basically a small tribute to the second Golden Age of Animation for the Disney Company, focusing on the Ashman/Menken films and Pixar.
Next up a room with National Treasure items.
The National Treasure room, with its faux-Presidential connections, then leads us into...
This takes us to the last display room of the exhibit. On the left hand side busts of all the presidents from the Hall of Presidents at Walt Disney World (first time all have been on display together)
Amazing to think that Blaine Gibson sculpted everyone one of these, except that of President Obama, who came along after he retired.
The other side of the room features mostly items from the Reagan Library collections.
The walls had letters from presidents to Disney and photographs of presidents at Disneyland/WDW and other Disney interactions.
The ear hat has "Mr. President" embroidered on the back, and was a gift to Reagan from Disney. Replicas are sold in the gift store.
A particularly adorable letter from Amy Carter on her favorite character. I suspect she got her picture.
The one piece of EPCOT memorabilia present. We have to assume the rest of it's getting boxed up to go for EPCOT 30.
Moving on to the last room.
It featured this display of the Team Disney Building (the Eisner building) in Burbank and featured another video that I did not have time to watch.
I made an extremely quick pass through the gift shop. Some pins for all you collectors. The gift shop had a decent crowd and we did not have time to browse/photograph items.
I actually found the shop before our exhibit time started, so I got a few photos then.
Mainly Archive items, with mostly pins, shirts, and a catalog specific to the exhibit.
They also had a plethora of copies of Dave Smith's new book Disney Trivia from the Vault, and Bob Gurr's Design: Just for Fun on hand, for the D23 signing later that evening.
Our time in the Disney exhibit was up, it was 4:30 and time for the D23 Members event, so we exited.
On my way out, I ran into Steven Clark and Becky Cline, whose hard work with D23 and the Archives has made this impressive exhibit a reality.
Did a quick tour of Air Force One before 5:00pm and closing. For more pictures of the museum and Air Force One visit my site..
One last picture on the way out. Here you can sort of make out the tent structure that was added and the stairs leading to it for the Disney exhibit.
So ultimately, should you go? Granted, the drive from the Disneyland area is long and occasionally painful, it's a great exhibit filled with many items never seen before. Having said that, a lot of it did seem somewhat familiar--the first room, detailing Walt's early life and career was very similar to galleries you could find in the Walt Disney Family Museum. Some of the Oswald-specific items were recently displayed at the E3 convention. A few of the costumes and props have been shown at the D23 Expos and on the Disney Studios Tours.
If, however, you didn't/don't have a lot of time and opportunity to attend all these different events, then this is definitely your best bet to see a comprehensive collection of artifacts spanning the length of the Walt Disney Company's existence. I think if you were determined to read everything and watch all the videos, it would probably take you a good 3-4 hours to do it all. There is also an audio tour available as well, although no one I spoke with had listened to it, or knew how long it went (estimates were for 45 minutes.) Although I didn't have an opportunity to check out the rest of the Reagan Museum, it seems as though that could easily take up another few hours to fill out a day trip there.
Frankly, I think Disney is missing out if they do not produce some sort of a shuttle between Disneyland and the exhibit at least for the Destination D weekend--I'm sure this would be of interest to a great many attendants who might not have the means or the motor to get there.
The exhibit D23 Presents: Treasures of the Walt Disney Archives will open to the public July 6, 2012, at Ronald Reagan Presidential Library and Museum, 40 Presidential Drive, Simi Valley, CA 93065. Tickets, which include regular admission to the rest of the Reagan Library can be purchased online at www.ReaganLibrary.com/Tickets or at the box office. General admission is $21, with discounts for seniors, youth/children, and military. The exhibit will run there until April 2013.
Hope you enjoyed this highlight tour of the Disneyland Resort. For additional photos and details from this trip you can check out the full Disneyland Update I posted on my site, http://disneygeek.com Also be sure to follow me on twitter @disneygeekcom for pictures from the parks.
June 22, Disney-Pixar's new movie Brave opened at the El Capitan Theatre in Hollywood.
For Brave, the El Capitan experience comes complete with a live stage show--this brand new one involves many of the classic Disney/Pixar characters in a musical salute to Hollywood's 125th anniversary.
The small cast performs standards including "Be A Clown," "Cheek to Cheek," and "Another Opening, Another Show."
As a finale, they head to Scotland to lead into your feature presentation...
Culminating in the presentation of the girl of the hour.
Following the show, the short La Luna, and the feature film Brave are presented in Disney Digital 3D, and Dolby® Atmos™ for excellent video and audio clarity. For a review of this visually stunning film, I direct you to Deb's recent blog
After the movie, patrons are invited to head next door to Disney's Soda Fountain and Studio Store, where a plethora of merchandise is available for purchase.
At the Soda Fountain, you can partake in the "Brave" sundae, with shortbread, strawberry cheesecake ice cream, strawberry syrup, marshmallow, and whipped cream. Alternatively, if you want a little more time with Merida than the show provided, you can enjoy breakfast with Merida in a package that includes a ticket to the movie for afterwards.
All in all, El Capitan once again provides a terrific evening of entertainment in an elegant setting. Anyone looking to see Brave during its run there (June 22-August 12,) should certainly consider it for a first-class time.
Just in case you've been living under a vow of hermitry, and recently finished, Disney California Adventure Park is re-opening this week, with a new direction, entryway, and showcase land, Cars Land. It's been in previews since this weekend, and already the internet is abuzz with photos and video from the spandy-new areas, with more to come as the media previews continue through this week, leading up to the grand unveiling on June 15th.
I had an opportunity to attend one of the AP previews this last weekend. For $75, we were allowed into Buena Vista Street (BVS) and Cars Land from 6pm-11pm. In a word, the new areas are spectacular.
Throughout BVS, there is an incredible attention to detail that really catapults you back to 1920's, when Walt Disney turned up in Los Angeles with little more than a suitcase of ambition.
As you walk further down the street, you seem to move a bit through time, until you get to the Carthay Circle where Snow White premiered in 1937.
Towards the end of the street, is the elegant Elias and Co. department store, which is not a little reminiscent of the departed Bullocks Wilshire.
Walking through some of these stores, it seems incredible that only a short while ago, their theming could best be described as "tacky," and now...
Across the way, there's a charming cafe where Bur-r-r Bank Ice Cream used to be.
Inside, the walls are decorated with photos and posters of the singing trio for which the cafe is named.
Hmm...you might want to take the stairs that night...
Cars Land is no less impressive. There are three ways to enter--through a bug's land, opposite the Vinery, or through Pacific Wharf. We were let in through the latter, and if you were going for the first time, it definitely packs the biggest visual impact.
It's hard to convey what a awe-striking vista awaits you. In a way, I'm almost sorry that the walls around the land will come down, because walking through that tiny door into that huge landscape was remarkable.
The impression of vastness is so great that for a moment, it hardly seems believable that you're still in a theme park. And for that matter, only in a part of what used to be the parking lot for a theme park.
The main drag of Radiator Springs is charming by day, but gorgeous at night.
There are three rides in Cars Land: Mater's Junkyard Jamboree, Luigi's Flying Tires, and Radiator Springs Racers.
Junkyard Jamboree is a spinning ride with an interchanging turntable mechanism similar to Cars Quatre Roues Rallye in the Walt Disney Studios Park in Paris, but with the addition of a swinging variable, as the riders sit in a...thing that a tractor pulls.
It's a pretty fun, somewhat low-key ride. The main detriment is likely to be the wait time, as it didn't look to have a huge capacity and like Dumbo, you have to wait through each cycle of riders before advancing in line.
Luigi's however, is a little problematic. Based on the old Flying Saucers ride, you board a huge inflatable tire that is puffed up on jets of air. You steer it by leaning in one direction, although they're quick to tell you that if you lean too much, it will act as a brake and you'll stop. What they don't tell you is that it's not just a matter of steering--if you don't/can't imbalance your weight enough, that tire is not going anywhere. I think the caution on leaning too much is probably for two riders, where there's more weight to throw around--with one person, you actually need to slide over to one end or the other of the bench to make it tilt enough to go. Unfortunately, it seems to take more than one ride to really get the hang of this, and until you do, the ride has all the fun of waiting for Dumbo, without actually getting to fly anywhere.
Talking with a CM, it appears that they almost expect guests to not enjoy it that much the first time, but figure that with practice, it will grow on them. I would be concerned that the wait time--likely to be even worse than Jamboree, because of the greater complexity of mounting and dismounting the giant inner tubes--would put people off trying it again, once they sat there motionless the first go-through. The beach balls are there apparently in the hopes that people will try to reach for them, shift their weight by accident, and start moving. In the initial designs, the tires had a joystick that also enabled the guests to spin, but which were removed because the guest assumed that they were there for steering and got frustrated. I would suggest replacing them--at least then, if someone is too light or otherwise unable to get their tire moving, at least they could spin in place, which would be something.
Anyway, on to the new "E-Ticket" attraction, Radiator Springs Racers. What surprised me about this ride, was the vague impression I had held that it was primarily a thrill ride. It is primarily, from my viewpoint, a dark ride, similar to the ones in Fantasyland.
In theory, it resembles Test Track quite a bit, with the indoor part having quite a few call-backs to various moments from that ride, and then a brisk outdoor segment. In reality, the experience is so much better, you can only think that Test Track looks like kind of a gyp next to it.
Without totally spoiling the whole thing for you, there are a number of variables throughout the ride that combine to make it highly repeatable. Again, the amount of detail that has gone into this is amazing--from almost all the cars inside being animatronic, to leaves rustling when characters you can't see are supposed to be moving beside you, to an entire mini-recreation of Radiator Springs. The outdoor environment is beautiful, and just as impressive.
If you time it right, you might even see the Disneyland fireworks from the ride.
So altogether, thumbs up on Jamboree, huge high-five on Racers, and "needs improvement" on Tires. Admittedly however, I did manage to ride Tires again as the last ride of the night, and it was actually much better. I'd encourage more than one ride-through on that, if the lines aren't prohibitive.
Finally, there's the food.
The main eatery is Flo's V8 Café--a counter service with carving-station style entrees and small wheel-shaped pies.
I found the roast beef surprisingly good--not nearly the tough, dried out specimens you so often get with quick service food. The mud pie was more reminiscent of a flourless chocolate cake than a pie, but was tasty, if rich. The main problem here, as was with all the eating facilities in Cars Land, was the wait--the line stretched along the outside of the cafe almost to the main road. After a CM takes your order and marks it down on an order form, you then get to wait in line inside for a register. Then, after paying, you get to wait yet again at the counter for your food. The difficulty here is that if you happen to get behind someone ordering for a party of 90, you may end up sitting there forever while they get all the things for that order complete, while further away on the counter, you can see what is likely your order waiting haplessly for its turn.
One thing you can say for Flo's however, is that the views are admirable. This may ultimately work against it, as people will likely be tempted to rest here indefinitely throughout the day, taking up what are already a fairly small number of tables.
The other main eating facility is the Cozy Cone Motel.
This is an adorable-looking place that ends up to be something of a functional nightmare. Each cone sells approximately one thing--popcorn, churros, pretzels, ice cream, or cone-centric entrees--requiring families (or individuals for that matter,) to stand in multiple lines if they want more than one thing. Each cone has one window, so the processing time is, to say the least, lengthy. Unfortunately, behind the the decorative-only lobby of the Motel is the main seating area, whose handful of tables takes up at least half of the room between the building and the cones. Between the snaking lines that overlap to the point of needing tape on the ground to separate them, the tables, and the occasional strolling vendors hawking popcorn and soda to the people starving to death in line, the area back there becomes almost impassible at peak times. I have no idea how good the food is, because not even for Kathy Mangum's famous "Chili Cone Carne" was I going to wait in those lines.
So in total, I would have to term both new areas of Disney California Adventure big successes. Not for some time has Imagineering been given the scope and budget to create environments this immersive and attractive. Coming from the old DCA where the overwhelming theme seemed to be "made for profit," these are huge improvements likely to draw the big crowds DCA has always wanted.
The crowding is likely to be the worst part of it, however--a lot of these areas have very limited capacity in an almost Potteresque manner, so forewarned is probably forearmed. My best advice: Use the single rider line in Racers; head for cycle loaders like Tires and Jamboree first; consider skipping Tires if you don't have time to ride it more than once; try to eat somewhere else entirely unless you can tag-team the food lines; look at everything, because details are everywhere; and enjoy this golden moment of redemption in DCA's history.
For people not familiar, E3 (or the Electronic Entertainment Expo,) is an annual video game conference that takes place at the Los Angeles Convention center that showcases games, gaming platforms, and gaming accessories that will be coming out to market in the next year.
This time around, Disney had a fairly large presence, largely showcasing their big game for the year, Epic Mickey 2: The Power of Two.
Whereas the last game had the player taking the role of Mickey, sometimes opposed to the bitter and vaguely antagonistic Oswald, this game has the two working together with synergistic abilities, giving the player the ability to swap between them during gameplay.
Game designer Warren Spector gave a few talks during the course of the show about some of the changes players can expect from the first game: No longer a Wii exclusive, it will be coming out (on November 18, no less,) on the XBox 360 and the PS3 as well. Changes made to the environment will no longer be reset on revisiting the same area later in the game--decisions made are permanent, and irrevocably affect the course of the game. The camera movement, a large source of complaints in the first game, has been retooled. Most interesting for those of us not big-time gamers--everyone talks this time!
David Garabaldi and George Anzaldo also gave performances, painting and dancing simultaneously together to illustrate "The Power of Two."
There was also a large display of Disney memorabilia (much of it provided by the Disney Archives) as it pertained to the properties featured in the games: Oswald, gremlins, and Mickey.
In case you doubted Spector's devotion to the property, a good portion was also from his private collection.
Oh...and there were the ears.
As a promotional giveaway, the booth gave out free personalized Oswald ear hats. This rapidly became the hit of the show, and the line to order them grew to almost completely encircle the booth. They gave you a time to come back and pick them up and finally...
They showcased a number of other games as well, of course, including their companion to the upcoming movie of the same name, "Wreck-it Ralph."
In a Tron-esque move, the movie was based on an old video game "Fix-it Felix Jr.," and now the movie has inspired a completely new game that has been designed to be the old game from the movie.
They also had a bar giving out Vitamin water to promote their terribly successful mobile game "Where's My Water," which will be coming out with new levels, and a spin-off "Where's My Perry," from the series Phineas and Ferb.
In the back, hidden, oddly enough by an abundance of foliage that attracted the attention of a swarm of gnats by the end of the show, was a display of their other upcoming movie tie-in game, "Brave: The Video Game."
A platformer that will be available on most gaming systems, it does have spoilers in the cutscenes, so it may be advisable to see the movie first.
So it looks like a good year ahead for Disney gaming...now if you'll excuse me, I'm going to have to finally go finish Epic Mickey 1...
Part of my trip to Disneyland Paris was under the auspices of the Disneyana Fan Club (http://disneyanafanclub.org/home) who put together a multi-day group program, centering around the 20th Anniversary festivities. The last time I traveled with them was for Tokyo Disneyland's 25th Anniversary some years ago, which was also a terrific trip.
The first full day of events took place on April 11, the day before the anniversary. It started off with lunch at Inventions--a fabulous buffet in the Disneyland Hotel.
After lunch, we convened in the Founder's Club--an executive lounge in the hotel--to see presentations by Tracy Eck, Art Director of Lighting Design for WDI Paris, and Disney Legend Tony Baxter, who served as Executive Producer for the creation of Disneyland Paris.
Both presentations were wonderful--Eck gave several details about all the work the park had recently undergone to get ready for the celebrations, particularly the large fiberoptic Tinker Bell sign on the train station entrance, the recreation of the previously-eroded pirate ship, and the creation of a few newly themed meet-and-greet locations.
Baxter spoke of the many trials and tribulations that beset the Imagineers when they were creating the park, and some of the cultural adaptations they made to better suit the park to the surrounding populace. Realizing people residing in France were likely to be all too familiar with the real castles which serve as inspirations for the Disneyland and Magic Kingdom castles, they styled the castle to better reflect that of a fairy tale aesthetic.
He also recounted some of the hidden in-jokes and homages they put in. He remembered that when the Imagineers were remodeling the Fantasyland in Disneyland Anaheim, the doorway out of Village Haus Restaurant had a beam going down the middle that forced them to place the Exit sign off to the side (which he thought looked terrible.) To try to cover it, he painted an image of Figaro with a rope tied to the sign, trying to pull it to the center. In Paris, the equivalent restaurant, Au Chalet de la Marionnette, had no such problem, so as a nod to the original, Baxter had another Figaro placed giving a thumbs-up to the onlooker, as if to say "we got it right this time!"
He noted that it would be a difficult reference for anyone to get, because you'd have to have seen them at each park. Only I, your strange little Disney friend, have traveled across two continents to bring you this trivia.
Afterwards, we were surprised with a presentation of all the Disney Parks Ambassadors from around the world, gathered together for the first time in anyone's memory to celebrate the occasion.
And if that weren't enough, a couple of other guys who happened to be traveling through popped by:
...Frequent Disney Artists, Kevin Kidney and Jody Daily!
The next day, after the anniversary excitement of the morning, the group arranged lunch for us at the beautiful Walt's, on Main Street.
The decor inside is magnificent--each room is decorated in the style of one of the separate lands. We happened to eat in Adventureland.
Joining us for lunch was Chief Operating Officer of Disneyland Paris, Joe Schott, who graciously said he was happy to spend part of such a momentous day with people who had traveled so far to experience it.
He seemed very invested in finding ways to constantly improve the park experience for his guests and spoke briefly on the difficulties of putting together the various components of the new anniversary attractions in the short ~two years since he had been appointed his position.
For our final special event, on Friday the 13th, no less, they arranged for us to enter the park before opening to have breakfast in front of the Phantom Manor.
Unfortunately, the weather that day, as most of the other days, was freezing cold, so the decision was made to move it indoors. Fortunately, it was moved into the Lucky Nugget Saloon which proved to be a gorgeous venue on its own.
The food, alas, was identical to the somewhat limited fare the hotel served for its breakfast buffet each day, but a few familiar faces turned up to enliven the event.
After a photo in front of the Phantom Manor, that concluded the exclusive part of the trip. There were a number of other meets to watch various parades and shows as a group, but these were the activities they arranged that were special to the club.
While the Disneyana trips aren't cheap, they do provide some experiences that would be difficult or impossible for you to arrange on your own, and they also offer the chance for people new to travel or the area to enjoy the support system of a group. I have enjoyed both trips I've taken with them, and would encourage anyone interested in their events to check out their webpage.
On May 10, the Disneyland Resort honored Disney Legend Alice Davis with her own window on Main Street, USA--one of the most important acknowledgements the company gives to individuals who have made significant contributions to the park.
Davis worked in costuming and was originally brought into Disney to create a Briar Rose costume for the live-action reference model Helene Stanley, during the making of Sleeping Beauty. She later went on to research and design costumes for many of Disneyland's seminal attractions such as It's A Small World, and Pirates of the Caribbean, about which she occasionally quips "I went from dressing sweet children to dirty old men."
Davis' window was placed next to that of the late Marc Davis, one of the original "nine old men" of Disney animation, and Alice's husband of 44 years.
The ceremony started off with the Dapper Dans performing several numbers as the audience arrived.
Beneath the concealed window were several displays of Davis' work.
What is evident at a close-up view, is how detailed all the costumes are, and all the work that went into making them look perfect from every angle.
Davis has related that she asked Walt what her budget was for all the Small World costumes--he responded that they didn't think about things like that--that she was just to dress the dolls so that every girl from 10 to 100 years old would want to play with them. Coming from a background where toys were sparse when she was young, she counted this as one of her favorite professional projects.
As the program started, both Disneyland Resort president George Kalogridis and Disney Parks and Resorts chairman Tom Staggs said a few words honoring Davis and sharing some of her remarkable accomplishments.
Staggs' talk was quickly derailed however, when a marauding band of pirates broke onto the scene looking for Davis. After having spent half a century in the same clothes, they were looking to see if she could whip them up something "a little more fashionable."
Not getting a favorable response, they settled on serenading her with "Alice Davis, She Put the Pants on Me," sung to the tune of "Yo ho, Yo Ho, A Pirate's Life for Me."
Staggs eventually wrested control back from the pirates, who took a last shot at him by remarking on his suit, to which he responded, "Alice didn't dress me!" "We can tell," they retorted.
Mickey Mouse then came out and they finally uncovered her window with a blast of streamers.
...And Alice and Marc were once again reunited on Main Street.
Finally, Davis herself took the podium and said a few words of thanks. She said she would always walk down Main Street, look up at Marc's window, see the blank one next to it, and hope that someday it would be hers. "I was wishing for it, and wishing for it, and today, the Day has Come."
She further noted that she was most proud of all the many friends that she had made and which were present in the audience as they represented real wealth to her. "For years, both Marc and I have had the great pleasure of bringing great fun and joy to people, and that was the Jewelry of our Heart and it will always be."
Kalogridis then presented her with a minature version of the window for her own, and the Dapper Dans returned to sing "When You Wish Upon A Star" to close out the ceremony.
It was a lovely ceremony, and a well-deserved and long-awaited honor to a fabulously accomplished Imagineer. Congratulations Alice!